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Creator:
unknown artist, seventeenth century
Title:

Llannerch, Denbighshire, Wales

Date:
ca. 1667
Medium:
Oil on canvas
Dimensions:
45 x 59 3/4 inches (114.3 x 151.8 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1976.7.115
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
architectural subject | bird's-eye view | bridge (built work) | buildings | bull | circles | country house | cows | deer | deer park | espalier trees | fences | fountains | French | gables (architectural elements) | gardens | gates | houses | Italian | lakes | landscape | livestock | mansion | path | pavilions (building divisions) | river | road | round | sculptures | servants | stream | summerhouses | sundial | terraces | trees | walking | walls
Associated Places:
Clwyd | Cymru | Denbighshire | Europe | Saint Asaph | United Kingdom | Wales
Associated People:
Neptune
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:337
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Penn's England (Pennsylvania State University Museum of Art, 1982-09-05 - ) [YCBA Objects in the Exhibition]

Horticulture (Cooper-Hewitt National Design Museum, 1981-06-09 - 1981-08-23) [YCBA Objects in the Exhibition]

Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29) [YCBA Objects in the Exhibition]

The Garden (Victoria and Albert Museum, 1979-05-21 - 1979-08-26) [YCBA Objects in the Exhibition]

Nicholas Alfrey, Mapping the landscape, essays on art and cartography , Nottingham Castle Museum and Art Gallery, Nottingham [England], 1990, p. 10, fig. 3, GA105 M27 1990 (YCBA) + [YCBA]

Stephen Bann, Interlacing words and things, bridging the nature-culture opposition in gardens and landscape , Dumbarton Oaks Research Library and Collection, Washington, D.C., 2012, p. 56, fig. 4.2, SB454.3.P45 I58 2012 (YCBA) [YCBA]

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 28-29, N590.2 A83 (YCBA) [YCBA]

Country houses in Great Britain., Yale Center for British Art, New Haven, 1979, pp. 19-20, 101, no. 1, pl. . 1, N6764 Y34 1979 (YCBA) [YCBA]

John Harris, Bird's-eye Views at Yale, Country Life, vol. 164, November 30, 1978, pp. 1820,1822, fig. 1, S3 C68 OVERSIZE (YCBA) [YCBA]

John Harris, The artist and the country house, a history of country house and garden view painting in Britain, 1540-1870 , Sotheby Parke Bernet, London Totowa, N.J., 1979, pp. 7. 41, 54, no. 41, fig. 41 and col. pl. III, N6764 H36 + (YCBA) [YCBA]

Todd Longstaffe-Gowan, Mapping a National Style, topography & landscape at the Yale Center for British Art , Apollo, v. 165, no. 542, April, 2007, pp. 52-53, 54, fig 2 & colordetail, N1 A54 + (YCBA) [YCBA]

Kimberly Skelton, The paradox of body, building and motion in seventeenth-century England, Manchester University Press, 2015, front cover, pp. 140-42, fig. 55, NA7328 .S58 2015 (YCBA) [YCBA]

The Yale Center for British Art, An Anniversary Celebration of Paul Mellon's Great Legacy , Apollo, April 2007, pp. 52-54, fig. 2, N5220 M552 A7 OVERSIZE (YCBA) Appeared as April 2007 issue of Apollo;; all of the articles may also be found in bound Apollo Volume [N1 A54 165:2 +] [YCBA]


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