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Print made by William Blake, 1757–1827, British

Jerusalem, Plate 26, "Such Visions Have...."

Part Of:

Collective Title: Jerusalem: The Emanation of The Giant Albion, Bentley Copy E

1804 to 1820
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm) and Plate: 6 1/2 x 8 7/8 inches (16.5 x 22.5 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
Prints and Drawings
Subject Terms:
fire | flames | gown | literary theme | men | nudes | religious and mythological subject | text | women
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IIIF Manifest:

Suzy Halimi, La nuit dans l'Angleterre des Lumières, Presses Sorbonne Nouvelle, Paris, 2008, p. 276, fig. 2, PN56.N5 N855 2008 (YCBA)

Matthew Hargraves, William Blake and Paul Mellon : the life of the mind, Open Knowledge Foundation, New York, 2014, [ p. 6 ], fig. 5, V 2557 Printed from URL: http://openglam.org/2014/10/07/william-blake-and-paul-mellon-the-life-of-the-mind

Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, p. 348, no. 239, fig. 239, N6767 B78 2007 + OVERSIZE (YCBA)

He´le`ne Pharabod-Ibata, The Challenge of the Sublime, from Burke's Philosophical Enquiry to British Romantic Art, Manchester University Press, Manchester, p. 246, fig. 27, NX650.S92 P43 2018 (LC) (YCBA)

William Blake : Visionary, The J. Paul Getty Museum, Los Angeles, p. 149, pl. 106, NJ18.B57 A12 2020 OVERSIZE (YCBA)

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