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Print made by William Blake, 1757–1827

"To the Jews..." (Plate 27)

1804 to 1820

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Print made by William Blake, 1757–1827, "To the Jews..." (Plate 27), 1804 to 1820, Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper, Yale Center for British Art, Paul Mellon Collection, B1992.8.1(27).




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  • Accession Number

    B1992.8.1(27)

  • Creator

    Print made by William Blake, 1757–1827

  • Title

    "To the Jews..." (Plate 27)

  • Part Of

    Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E

  • Date

    1804 to 1820

  • Materials & Techniques

    Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper

  • Dimensions

    Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 8 3/4 x 6 3/8 inches (22.3 x 16.2 cm)

  • Inscription(s)/Marks/Lettering

    Inscribed in orange ink, upper right: "27"

    Lettered inside image: "To the Jews. | Jerusalem the Emanation of the Giant Albion! Can it be? Is it a | Truth that the Learned have explored? Was Britain the Primitive Seat of | the Patriarchal Religion? If it is true, my title-page is also True, that | Jerusalem was & is the Emanation of the Giant Albion. It is True, and | cannot be controverted. Ye are united, O ye Inhabitants of Earth, in One | Religion: The Religion of Jesus: the most Ancient, the Eternal & the | Everlasting Gospel. The Wicked will turn it to Wickedness, the Righteous | to Righteousness. Amen! Huzza! Selah! | 'All things Begin & End in Albion's Ancient Druid Rocky Shore.' | Your Ancestors derived their origin from Abraham, Heber, Shem, and | Noah, who were Druids: as the Druid Temples (which are the Patriarchal | Pillars & Oak Groves) over the whole Earth witness to this day. | You have a tradition, that Man anciently contain'd in his mighty limbs | all things in Heaven & Earth: this you recieved from the Druids. | 'But now the Starry Heavens are fled from the mighty limbs of Albion.' | Albion was the Parent of the Druids: & in his Chaotic State of Sleep | Satan & Adam & the whole World was Created by the Elohim. | The fields from Islington to Marybone, | To Primrose Hill and Saint John's Wood, | Were builded over with pillars of gold, | And there Jerusalem's pillars stood. | Her Little-ones ran on the fields, | The Lamb of God among them seen, | And fair Jerusalem his Bride, | Among the little meadows green. | Pancrass & Kentish-town repose | Among her golden pillars high: | Among her golden arches which | Shine upon the starry sky. | The Jew's-harp-house & the Green Man, | The Ponds where Boys to bathe delight, | The fields of Cows by William's farm, | Shine in Jerusalem's pleasant sight. | She walks upon our meadows green: | The Lamb of God walks by her side: | And every English Child is seen, | Children of Jesus & his Bride. | Forgiving trespasses and sins | Lest Babylon with cruel Og, | With Moral & Self-righteous Law, | Should Crucify in Satan's Synagogue! | What are those golden Builders doing | Near mournful ever-weeping Paddington, | Standing above that mighty Ruin | Where Satan the first victory won, | Where Albion slept beneath the Fatal Tree, | And the Druids' golden Knife | Rioted in human gore, | In Offerings of Human Life? | They groan'd aloud on London Stone, | They groan'd aloud on Tyburn's Brook, | Albion gave his deadly groan, | And all the Atlantic Mountains shook. | Albion's Spectre from his Loins, | Tore forth in all the pomp of War: | Satan his name: in flames of fire | He stretch'd his Druid Pillars far. | Jerusalem fell from Lambeth's Vale, | Down thro' Poplar & Old Bow; | Thro' Maiden & acros the Sea, | In War & howling, death & woe. | The Rhine was red with human blood; | The Danube roll'd a purple tide ; | On the Euphrates Satan stood, | And over Asia stretch'd his pride. | He wither'd up sweet Zion's Hill, | From every Nation of the Earth; | He wither'd up Jerusalem's Gates, | And in a dark Land gave her birth. | He wither'd up the Human Form, | By laws of sacrifice for sin, | Till it became a Mortal Worm; | But O! translucent all within. | The Divine Vision still was seen, | Still was the Human Form Divine, | Weeping in weak & mortal clay, | Jesus, still the Form was thine. | And thine the Human Face, & thine | The Human Hands & Feet & Breath, | Entering thro' the Gates of Birth, | And passing thro' the Gates of Death. | And O thou Lamb of God, whom I | Slew in my dark self-righteous pride, | Art thou return'd to Albion's Land? | And is Jerusalem thy Bride? | Come to my arms & never more | Depart; but dwell for ever here: | Create my Spirit to thy Love: | Subdue my Spectre to thy Fear. | Spectre of Albion! warlike Fiend! | In clouds of blood & ruin roll'd: | I here reclaim thee as my own, | My Self-hood! Satan! arm'd in gold. | Is this thy soft Family-Love, | Thy cruel Patriarchal pride, | Planting thy Family alone, | Destroying all the World beside? | A man's worst enemies are those | Of his own house & family; | And he who makes his law a curse, | By his own hand shall surely die. | In my Exchanges every Land | Shall walk, & mine in every Land, | Mutual, shall build Jerusalem; | Both heart in heart & hand in hand. | If Humility is Christianity, you, O Jews, are the true Christians; If | your tradition that Man contained in his Limbs all Animals is True & | they were separated from him by cruel Sacrifices; and when compulsory | cruel Sacrifices had brought Humanity into a Feminine Tabernacle, in the | no loins of Abraham & David, the Lamb of God, the Saviour became appar- | ent on Earth as the Prophets had foretold ! The Return of Israel is a Re- | turn to Mental Sacrifice & War. Take up the Cross, O Israel, & follow Jesus."

  • Credit Line

    Yale Center for British Art, Paul Mellon Collection

  • Copyright Status

    Public Domain

  • Classification

    Prints

  • Collection

    Prints and Drawings

  • Subject Terms

    leaf | literary theme | religious and mythological subject | text | vegetation | vines

  • Access

    Accessible in the Study Room [Request]

  • Link

    https://collections.britishart.yale.edu/catalog/tms:3456

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William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]

The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]

William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]

William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]

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