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Creator:
Print made by William Blake, 1757–1827, British
Title:

Jerusalem, Plate 76

Part Of:

Collective Title: Jerusalem: The Emanation of The Giant Albion, Bentley Copy E

Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper
Dimensions:
13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.1(76)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
crucifixes | Jesus Christ/parables | literary theme | man | men | night | nude | nudes | religion | religious and mythological subject | sunlight | trees
Access:
View by request in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:3510
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The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]

William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]

William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05) [YCBA Objects in the Exhibition]

The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition]

William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]

William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]

Naomi Billingsley, The visionary art of William Blake: Christianity, Romanticism and the Pictorial Imagination, I.B. Tauris, London ; New York, plate 18, NJ18.B57 B55 2018 (LC) (YCBA) [YCBA]

Blake Society, Calendar of Events for 2011, 2011, inside backcover, Not Available at Yale


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