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Creator:
John S. Muller, ca. 1715–1792, German, active in Britain
after Samuel Wale RA, 1721–1786, British
Title:

Vauxhall Gardens shewing the Grand Walk at the Entrance of the Garden and the Orchestra with the Music Playing

Date:
after 1751
Medium:
Etching and engraving, hand-colored
Dimensions:
Sheet: 10 1/16 x 15 3/4in. (25.6 x 40cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.18699
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
leisure
Associated Places:
England | Lambeth | London | Southwark | United Kingdom | Vauxhall Gardens
Access:
View by request in the Study Room
Link:
https://collections.britishart.yale.edu/catalog/tms:36501
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Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 (exhibition and label text) , New Haven, 2006, [p. 17], V 1699:1 (YCBA)

Timothy J. Barringer, Art & music in Britain, four encounters, 1730-1900 , Yale Center for British Art, New Haven, 2006, pp. 6-7, V 1699 (YCBA)

Jonathan Conlin, The pleasure garden , from Vauxhall to Coney Island, , University of Pennsylvania Press, Philadelphia, 2013, pp. 104, 109, 110, fig. 4.3, SB451.36.G7 P54 2013 (YCBA) Also available online (ORBIS) [Project Muse]

Melanie Doderer-Winkler, Magnificent entertainments : temporary architecture for Georgian festivals, Yale University Press, New Haven, 2013, pp. 81, 82, fig. 88, NA8452 .D63 2013 OVERSIZE (YCBA)

Boris Ford, The Cambridge cultural history of Britain, Cambridge University Press, London; New York, 1992, vol. 5, p.209, NX543 C36 1992 (YCBA)

Eleanor Hughes, Spreading Canvas : Eighteenth-Century British Marine Painting, Yale Center for British Art, New Haven, 2016, pp. 161, 130, fig. 102, ND 1373.G74 S67 2016 (YCBA)


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