The Cape of Good Hope
- Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
- Sheet: 19 5/16 × 26 inches (49 × 66 cm), Plate: 17 11/16 × 23 1/2 inches (45 × 59.7 cm), and Image: 15 13/16 × 22 1/2 inches (40.1 × 57.1 cm)
Lettered below image, lower left: "Painted & Delineated by Lambert | & | Scott"; below: "London, Printed for Carington Bowles in St,, Pauls Church Yard, Robt. Sayer in Fleet Street, & John Bowles in Cornhil.; center: "The Cape of Good Hope."; lower right: "Engrav'd by G. Vander Gucht."; below: "Publifh'd purfuant to an Act of Parliament."
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- Prints and Drawings
- Accessible by request in the Study Room [Request]
Note: The Study Room is open to Yale ID holders by appointment. Please visit the Study Room page on our website for more details.
Hilda F. Finberg, Samuel Scott, Burlington Magazine for Connoisseurs, V. 81, London, 1942, N1 B87 + OVERSIZE (YCBA) Also available online at JSTOR
Eleanor Hughes, Spreading Canvas : Eighteenth-Century British Marine Painting, Yale Center for British Art, New Haven, 2016, pp. 204-05, cat. 64, no. 64, ND 1373.G74 S67 2016 (YCBA)