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Creator:
Print made by William Blake, 1757–1827
Title:

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Part Of:

Collective Title: Jerusalem: The Emanation of The Giant Albion, Bentley Copy E

Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 7 7/8 x 5 1/2 inches (20 x 14 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.1(95)
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
flames | literary theme | men | nudes | religious and mythological subject | roots | sinews | text
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:4433
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The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) [YCBA Objects in the Exhibition]

William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]

The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition]

Andrew Burkett, Romantic Mediations : Media Theory and British Romanticism, State University of New York Press, Albany, p. 103, fig. 3.5, PR447 .B77 2016 (LC) [ORBIS]

Denise Gigante, Life, organic form and Romanticism , Yale University Press, New Haven, 2009, between p. 114 and p. 115, pp. 151-52, Pl. III. 16, PR575.L54 G54 2009 (YCBA) [YCBA]

Holly Shaffer, Grafted arts : art making and taking in the struggle for western India : 1760-1910, The Paul Mellon Centre for Studies in British Art, New Haven, CT, p. 208, fig. 130, N72.P6 S53 2022+ (YCBA) [YCBA]


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