Download/Print Selected Image
- Title:
The Salmon Leap, Leixlip
- Former Title(s):
The Salmon Leap at Leixlip with Nymphs Bathing
Girls Bathing by a Waterfall
View of the Salmon-leap at Leixlip in Ireland ]
- Date:
- 1783
- Medium:
- Oil on canvas
- Dimensions:
- 26 5/8 x 25 1/2 inches (67.6 x 64.8 cm), Frame: 37 1/4 × 35 1/2 × 4 inches (94.6 × 90.2 × 10.2 cm)
- Inscription(s)/Marks/Lettering:
Signed and dated in black paint, lower right: "FWheatley pinx | 1783"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1977.14.122
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1977.14.122FR
- Subject Terms:
- arch | costume | dog (animal) | eroticism | genre subject | hunter | landscape | leisure | mythology | nude | nymphs | prince | river | rocks (landforms) | waterfall | women
- Associated Places:
- Ireland | Kildare | Leinster | Leixlip | Liffey | United Kingdom
- Associated People:
- Actaeon
Diana - Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:459
- Export:
- XML
- IIIF Manifest:
- JSON
Ireland - Art on a World Stage 1690-1840 (The Art Institute of Chicago, 2015-03-17 - 2015-06-07) [YCBA Objects in the Exhibition]
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05) [YCBA Objects in the Exhibition]
' Art on the Line ' : the Royal Academy Exhibitions at Somerset House 1780-1836 (The Courtauld Gallery, 2001-10-17 - 2002-01-20) [YCBA Objects in the Exhibition]
Art on the line : the Royal Academy exhibitions at Somerset House, 1780-1836 : [catalogue of works], , The Courtauld Gallery, London, 2001, no. 27, V 0909 (YCBA) [YCBA]
John Barrell, Painting and the politics of culture : new essays on British art, 1700-1850, Claredon Press, Oxford, p. 183, fig. 6.7, N6766 P35 1992 [ORBIS]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 244-245, N590.2 A83 (YCBA) [YCBA]
Jane Fenlon, Irish Fine Art in the Early Modern Period : New Perspectives on Artistic Practice, 1620 - 1820, Newbridge, Country Kildare, Ireland, 2016, p. 15, fig. 01.06, N6787 I75 2016 (YCBA) [YCBA]
Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 72, ND466 G67 (YCBA) [YCBA]
John T. Hayes, Thomas Gainsborough, Ferrara Arte, , 1998, p. 234, fig. 85, NJ18 G16 H485 1998 + (YCBA) [YCBA]
Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, vol. 157, December 1964, p. 216, N1 C75 + OVERSIZE (YCBA) [YCBA]
William Laffan, Ireland : crossroads of art and design, 1690-1840, The Art Institute of Chicago, Chicago, 2015, pp. 77, 78, 222-23, 235, no. 135, fig. 1 (p.78), N6787 .I74 2015 OVERSIZE (YCBA) [YCBA]
Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 140 (v.1), no. 267, pl. 205, ND466 V57 v.1-2 (YCBA) [YCBA]
Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 61 (v.1), no. 222, ND466 R68 1964/65 (YCBA) [YCBA]
W. Roberts, F. Wheatley, R.A., His life and works , Otto limited, London, 1910, p. 47, pl. 47, NJ18 W56 +R63 (YCBA) [YCBA]
David H. Solkin, Art on the Line : the Royal Academy Exhibitions at Somerset House 1780-1836, , Yale University Press, New Haven, CT, 2001, Foldout No. 14, N5054 A78 2001B (YCBA) [YCBA]
Denys Sutton, Some English Landscapes in Mr. Mellon's Collection, Apollo, vol. 77,ns.# 14, April 1963, pp. 278, 280, pl. V, N1 A54 + (YCBA) [YCBA]