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Creator:
Robert Peake the Elder, ca. 1551–1619, British
Title:

Portrait of a Man, possibly Thomas Howard, third Viscount Bindon (ca. 1539–1611)

Former Title(s):

Portrait of a Man

An Unknown Military Commander, Aged 60, signed and dated 1593

Date:
1599
Medium:
Oil on panel
Dimensions:
Support (PTG): 44 1/2 × 35 1/4 inches (113 × 89.5 cm)
Inscription(s)/Marks/Lettering:

Changed in yellow paint, upper right: from "1599 | Æts 66 ," to "1593 | Æts 60 ," (Æ followed by ts in superscript); signed in black on verso, upper left: "M.BY.RO. | PEAKE" (A and K in monogram)

Credit Line:
Yale Center for British Art, Paul Mellon Fund
Copyright Status:
Public Domain
Accession Number:
B1979.16
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
armor | baton | costume | man | officer (military officer) | portrait | Tudor
Associated People:
Howard, Thomas, third Viscount Howard of Bindon (ca. 1539–1611)
Access:
On view
Link:
https://collections.britishart.yale.edu/catalog/tms:495
Export:
XML

Acquisitions : The First Decade 1977-1986, Yale Center for British Art , Yale Center for British Art, New Haven, CT, 1986, p. 17, no. 43, N590.2 A7 OVERSIZE (YCBA)

Tarnya Cooper, Painting in Britain , 1500-1630 : production, Influences, and patronage, British Academy, Oxford, 2015, pp. 289, 291, fig. 17.1, ND465 .P35 2015 OVERSIZE (YCBA)

Lawrence Hendra, Love's labour's found : Elizabethan & Jacobean portraiture, Philip Mould Ltd., London, pp. 13, 59, fig. 8, 59, ND1314.P44 L68 2021+ (YCBA)

Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, p. 17, no. 43, N1 B87 128:3 OVERSIZE (YCBA)

Sotheby's sale catalogue : Catalogue of Fine English Portraits of the 16th and 17th centuries removed from Melton Constable, Norfolk : 1 February 1950, Sotheby's, London, 1 February 1950, p. 11, lot 89, Film B12, reel 13 (YCBA)

Ian Tyers, The tree-ring analysis of 23 panel paintings from the Yale Center for British Art , New Haven, dendrochronological consultancy report 470 , Yale Center for British Art, New Haven, 2011, pp.16, 37, 38, 60-62, fig. 33, CC78.3 .T94 2011


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