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Marcus Gheeraerts the Younger, 1561–1635, Flemish, active in Britain (from 1568)

Catherine Killigrew, Lady Jermyn

Oil on panel
Support (PTG): 30 3/4 x 23 inches (78.1 x 58.4 cm)

Dated in yellow paint, upper right: "AEtatis Suae 35 | Anni 1614"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
Paintings and Sculpture
Subject Terms:
aristocrat | brocade | collar | earrings | floral pattern | headgear | Jacobean | lace | portrait | red | ring | Tudor | woman
Associated People:
Killigrew, Catherine, Lady Jermyn (ca. 1579–1640)
On view

British Art at Yale, Apollo, v.105, no. 182, April 1977, pp. 238-40, fig. 3, N5220 M552 A7 1977 OVERSIZE (YCBA) Published as April 1977 issue of Apollo; all of the articles may also be found in bound Apollo Volume [N1 A54 105:2 +]

Lena Dahren, Med kant av guld och silver, en studie av knypplade bêarder uddar av metall, 1550-1640 , 2010, pp. 202-3, fig. 264, TT805 D34 2010A (YCBA)

English pictures prints and drawings, c. 1650 - c. 1950 , Christie's, London, November 22nd, 1963, p. 13, lot no. 39, Sales Catalogues (YCBA)

Edmund Farrer, Portraits in Suffolk houses (West), B. Quaritch, London, 1908, pp. 297-98, no. 28, N7598.2 F37 + (YCBA)

Karen Hearn, Dynasties, painting in Tudor and Jacobean England, 1530-1630 , Tate Publishing, London, 1995, no. 132, N6765 D95 1995 + (YCBA)

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art , Yale Center for British Art, New Haven, CT, 1998, pp. 24-25, no. 1, ND1314.3 Y36 1998 (YCBA)

Oliver Millar, Marcus Gheeraerts the Younger: A Sequel Through Inscriptions, Burlington Magazine, vol. 105,no.729, December 1963, pp. 534-6, fig. 12, N1 B87 + (YCBA) Available online through JStor.

Paul Mellon's Legacy, a passion for British art. [large print labels] , Yale Center for British Art, New Haven, CT, 2007, v.3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)

Aileen Ribeiro, Fashion and fiction, dress in art and literature in Stuart England , Yale University Press, New Haven, 2005, p.69, no. 34, NX650 C663 R53+ (YCBA)

Roy C. Strong, The English icon, Elizabethan & Jacobean portraiture , Paul Mellon Foundation for British Art, London New York, 1969, p. 285, no. 278, ND1314 S77 + (YCBA)

Ian Tyers, The tree-ring analysis of 23 panel paintings from the Yale Center for British Art , New Haven, dendrochronological consultancy report 470 , Yale Center for British Art, New Haven, 2011, pp. 13, 14, 16, 69-71, fig. 40, CC78.3 .T94 2011

Ellis Waterhouse, An Impressive Panorama of British Portraiture, Apollo, v. 105, no. 182, April 1977, pp. 238-40, fig. 3, N1 A54 + (YCBA) Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]

Ellis Waterhouse, The Dictionary of 16th & 17th Century British Painters, Antique Collectors' Club, Woodbridge, Suffolk, 1988, p. 106, ND464 W38 1988 (LC) (YCBA)

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