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Creator:
Paul Sandby RA, 1731–1809, British
Title:
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
Date:
1794
Medium:
Gouache, watercolor and graphite on handmade Whatman wove paper laid down on canvas on a wooden stretcher
Dimensions:
Sheet: 27 5/16 x 40 3/16 inches (69.3 x 102 cm) and Frame: 33 1/2 x 46 1/2 x 3 inches (85.1 x 118.1 x 7.6 cm)
Inscription(s)/Marks/Lettering:

Signed and dated with brush and brown watercolor, lower left: "P. Sandby | 1794"

Credit Line:
Yale Center for British Art, Paul Mellon Fund
Copyright Status:
Public Domain
Accession Number:
B2002.29
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
cattle | chimney (architectural element) | clouds | coach | cows | dog (animal) | factory | fences | hills | horses (animals) | landscape | mill | papermaking | sky | trees
Associated Places:
Boxley | England | Europe | Kent | United Kingdom
Access:
On view
Exhibition History:
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Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)

Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Royal Academy of Arts, 2010-03-13 - 2010-06-13)

Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (National Gallery of Scotland, 2009-11-07 - 2010-02-07)

Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Nottingham Castle Museum and Art Gallery, 2009-07-25 - 2009-10-18)

Publications:
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Stephen Daniels, Paul Sandby, picturing Britain , Royal Academy of Arts, London, 2009, cat. 92, NJ18 Sa56 P3 2009 + OVERSIZE (YCBA)

Martina Droth, Britain in the world: Highlights from the Yale Center for British Art in honor of Amy Meyers, Yale University Press, New Haven, London, p. 102-103, N6761 .Y33 2019 (LC) (YCBA)

Theresa Fairbanks-Harris, Papermaking and the art of watercolor in eighteenth-century Britain, Paul Sandby and the Whatman Paper Mill , Yale Center for British Art, New Haven, 2006, opposite p. 1, pp. 1-7, 12, 17, 23-33, 38-39. 40-41, 61, 90-93, 121-23, 126-28, chapter frontpieces; fig. 1; figs. 1-3 [p. 24], fig. 5; fig. 10, NJ18.Sa56 A15 V5 2006 (YCBA)

Theresa Fairbanks-Harris, Looking at Paper: A Conservator's Treatment Approach Informed by Historical Papermaking Processes, University College Cork, Cork, Ireland, p. 79, fig. 20 (detail), fig. 22 (detail), V 2849 (YCBA)

Douglas Fordham, Aquatint Worlds : Travel, Print, and Empire 1770-1820, The Paul Mellon Centre for Studies in British Art, New Haven and London, p. 51, fig. 34, NE2230 .F674 2019 (LC) Oversize

Celina Fox, The arts of industry in the Age of Enlightenment, Yale University Press, New Haven, 2009, p. 375, fig. 166, N72.T4 F69 2009 OVERSIZE (YCBA)

Anne Hodge, The works of J.M.W. Turner at the National Gallery of Ireland, National Gallery of Ireland, Dublin, 2012, pp. 134-35, fig. 98, NJ18.T85 H625 2012 OVERSIZE (YCBA)

Nicola. Moorby, How to paint like Turner, Tate Publishing, London, 2010, p. 35, NJ18 T85 H69 2010 (YCBA)

Link:
https://collections.britishart.yale.edu/catalog/tms:52309
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