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Creator:
John Constable, 1776–1837, British
Title:

Parham Mill, Gillingham

Former Title(s):

Mill at Gillingham, Dorset

Gillingham Mill, Dorset

A Mill in Gillingham, in Dorsetshire

A Mill at Gillingham

Mill, Gillingham, Dorset

A Mill at Gillingham, in Dorsetshire

Parham Mill, Gilingham

Pernes Mill, Gillingham

Gillingham Mill

A Mill at Gillingham in Dorset

Parham's Mill

Date:
ca. 1826
Medium:
Oil on canvas
Dimensions:
Support (PTG): 19 3/4 x 23 3/4 inches (50.2 x 60.3 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.133
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
cattle | clouds | donkeys | ducks | house | mill | miller | plants | stream | washing | water | water mill | wheel | woman
Associated Places:
Dorset | England | Gillingham | Stour | United Kingdom
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:644
Export:
XML

Canaletto to Constable, paintings of town and country from the Yale Center for British Art , Yale Center for British Art, New Haven, Conn., 1998, pp. 17-18, 109, back cover, pl. 42, ND1354.4 Y25 1998 (YCBA)

Catalogue of the Constable collection, Her Majesty's Stationery Office, London, UK, 1973, p. 180, NJ18 C74 R495 1973 (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 62-63, N590.2 A83 (YCBA)

Malcolm Cormack, Constable, Cambridge University Press, Cambridge, UK & New York, NY, 1986, pp. 148, 150..., pl. 148, NJ18 C74 C75 OVERSIZE (YCBA)

Exhibition Catalogue. 1826. 58th., Exhibition of the Royal Academy of Arts, no. 58, Royal Academy of Arts, London, 1826, p. 11, no. 122, N5054 A53 50-64 (YCBA)

Exhibition Catalogue. 1827. 59th., Exhibition of the Royal Academy of Arts, no. 59, Royal Academy of Arts, London, 1827, p. 7, no. 48, N5054 A53 50-64 (YCBA)

Exhibition of works by old masters and by deceased masters of the British School Winter Exhibition 13th Year 1882 , W. Clowes and sons, London, 1882, p. 14, no. 52, Fiche B118 (YCBA)

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 8, ND466 G67 (YCBA)

Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 184-85, no. V.13, pl. 159, ND1354.4 H38 (YCBA)

Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 133, no. 465, NJ18 C74 A12 +H66 (YCBA)

John Constable, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon. , National Gallery of Art, Washington, DC, 1969, pp. 54-55, no. 60, NJ18 C74 U5 (YCBA)

Ray Lambert, John Constable and the theory of landscape painting, Cambridge University Press, Cambridge, UK & New York, NY, 2004, pp. 180-81, fig. 45, NJ18 C74 L36 2004 (YCBA)

Charles Robert Leslie, Memoirs of the life of John Constable composed chiefly of his letters, Phaidon Press, London, UK, 1951, pp. 148..., Pl. 50, NJ18 C74 L47 1951 (YCBA)

Charles Robert Leslie, Memoirs of the life of John Constable, R.A., The Medici Society, Ltd., London, UK, 1937, pp 199-200,20..., pl. 72, NJ18 C74 L47 1937 (YCBA)

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 22-23 [v.1], no. 69, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, pp. 81-82 (v.1), no. 111, pl. 51 (v.2), ND466 V57 v.1-2 (YCBA)

Leslie Parris, Constable, paintings, watercolours & drawings , Tate Publishing, London, UK, 1976, PP. 146-47, NO. 243, FIG.243, NJ18 C74 P37 + (YCBA)

Leslie Parris, Constable, Tate Publishing, London, UK, 1991, pp. 262-63, no. 142, pl. 143, NJ18 C74 P372 1991 + (YCBA)

Graham Reynolds, Constable, the natural painter, Panther, St. Albans, UK, 1976, p. 91, NJ18 C74 R48 1976 (YCBA)

Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, pp. 169-70 (v.1), no. 26.4, pl. 620 (v.2), NJ18 C74 R485 + (YCBA)

Michael Rosenthal, Constable, Thames and Hudson, London, UK, 1987, pp. 161-2, fig. 152, NJ18 C74 R683 (YCBA)

Michael Rosenthal, Constable, the painter and his landscape, Yale University Press, New Haven, CT, 1983, pp. 179-80, fig. 212, NJ18 C74 R68 OVERSIZE (YCBA)

Andrew Shirley, John Constable, R. A., Medical Society, London, 1944, p. 22, no. 72, pl. 72, NJ18 C74 S55 (YCBA)

Basil Taylor, Constable, paintings, drawings and watercolours; , Phaidon, London, UK, 1973, p. 204, note 44, no. 113, NJ18 C74 T39 + (YCBA)

Timothy Wilcox, Constable and Salisbury, the soul of landscape , Scala Publishers, London, UK, 2011, pp. 76-77, fig. 60, NJ18.C74 W53 2011 Oversize (YCBA)

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol. 1, W. Clowes and sons, New Haven, 1965, pp. 10-11 (v. 1), no. 33, ND466 Y35 (YCBA)


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