This cityscape is full of motion: the river Medway glistens, smoke curls, and ships crowd around the docks. Rochester Castle anchors the scene with its twelfth-century tower, the tallest castle tower in all of Europe. Frederick Nash, who trained as an architect but primarily painted landscapes, carefully positions three vertical points of interest (the cathedral, the castle, and the ships) to denote three pillars of nineteenth-century British society—church, state, and commerce. Nash draws upon the historical prominence of Rochester Castle to highlight its endurance, a fortification that will stand for centuries more while modern industry develops in its shadow.
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Title
Rochester Cathedral and Castle
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Date
ca. 1825
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Materials & Techniques
Oil on artist's board
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Dimensions
5 1/2 x 8 1/2 inches (14 x 21.6 cm)
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Copyright Status
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Accession Number
B1981.25.478
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Classification
Paintings
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Collection
Paintings and Sculpture
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Link to Frame
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Subject Terms
boats | bridge (built work) | brigantine | buildings | castle | cathedral | church | cityscape | dock | full-rigged ship | marine art | river | riverbank | sails | ships | town | water
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Associated Places
England | Europe | Kent | Medway | Rochester | Rochester Castle | United Kingdom
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Access
Not on view
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Link
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Export
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IIIF Manifest
Art in Focus : The British Castle - A Symbol in Stone (Yale Center for British Art, 2017-04-07 - 2017-08-06) [YCBA Objects in the Exhibition] [Exhibition Description]
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