John Orde, His Wife, Anne Orde (née Marr), His Eldest Son, William, and an Unnamed Servant
Date:
between 1754 and 1756
Materials & Techniques:
Oil on canvas
Dimensions:
37 x 37 7/8 inches (94 x 96.2 cm)
Inscription(s)/Marks/Lettering:
Inscribed, center right, on letter: "To: John Orde | at Mo[?]t [?]"; center left, on newspaper: "The Daily Adv[vertiser]"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B2001.2.65
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
group portrait | hunting gun | newspaper | pheasant | painting (visual work) | portrait | men | mantel | letter | servant | woman | leisure | fireplace
Currently On View:
Not on view
Exhibition History:
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11)Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)The Conversation Piece - Arthur Devis & His Contemporaries (Yale Center for British Art, 1980-10-01 - 1980-11-30)Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
Publications:
British Art at Yale, Apollo, v.105, April 1977, p. 259, fig. 7, N1 .A54 + OVERSIZE (YCBA)Joseph Burke, English art 1714-1800, Clarendon Press, Oxford, 1976, p. 302, pl. 80A, N6761 O9 9 (YCBA)Robert Colls, This sporting life : sport and liberty in England, 1760-1960, Oxford University Press, Oxford, U.K., 2020, p. 372, GV706.35 .C65 2020 (LC) YCBACyril Connolly, English Conquest in the Old Dominion, ART News, vol. 62, Summer 1963, pp. 30-3, N1 A6 OVERSIZE (HAAS)Matthew Craske, Conversations and Chimneypieces: the imagery of the hearth in eighteenth-century English family portraiture, British Art Studies, Issue 2, Spring 2016, pages are unnumbered, fig. 4, Available Online (Orbis) http://dx.doi.org/10.17658/issn.2058-5462/issue-02/mcraskeEllen G. D'Oench, Arthur Devis (1712-1787): master of the Georgian conversation piece, , University Microfilms International, Ann Arbor, Mich., 1982, pp. 115-16, 391, no. 123, pl. 116, NJ18 D5151 D635 1979A (YCBA)Ellen G. D'Oench, The Conversation Piece: Arthur Devis & his contemporaries, , Yale Center for British Art, New Haven, 1980, pp. 23-25, 60, 86, cat. no. 31; AD list no. 123, col. pl. 31, NJ18 D5151 D64 OVERSIZEPeter DeBolla, Education of the Eye, Painting, Landscape, and Architecture in Eighteenth-Century Britain , Stanford University Press, Stanford, 2003, p. 58, 60, 61, Fig. 12, YCBA BH221. G7 D4 2003Ralph Edwards, Georgian Conversation Pictures, Apollo, v.105, no. 182, April 1977, p. 259, fig. 7, N1 A54 105:2 + (YCBA) Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]Judy Egerton, British sporting and animal drawings c.1500-1850: A Catalogue, The Paul Mellon Collection , Tate Publishing, London, 1978, p. 59, NC780 B75 OVERSIZE (YCBA)Judy Egerton, British Sporting and Animal Paintings 1655-1867 : A Catalogue : The Paul Mellon Collection, , Tate Publishing, London, 1978, pp. 59-60, no. 60, pl. 21, ND1383 G7 B75 OVERSIZE (YCBA)Figures of Empire : Slavery and Portraiture in Eighteenth-Century Atlantic Britain, , Yale Center for British Art, New Haven, 2014, pp. 16, 42, V 2556 (YCBA) Also available online: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://britishart.yale.edu/sites/default/files/inline/Figures%20of%20Empire_booklet_FINAL.pdfMargaret Ann Hanni, The Marriage Portrait in eighteenth-century England [PhD Dissertation, Boston University], Ann Arbor, 1996, p. ix, 103, Cat no. 46, Film B148 YCBAKathryn James, English Paleography and Manuscript Culture, 1500-1800, Beinecke Rare Book and Manuscript Library, New Haven, p. 187, fig. 238, Z115.E5 J36 2020+ (YCBA)Sebastian Mitchell, James Thomson's picture collection and British history painting, Journal of the History of Collections, 2011, p. 6, V 2208 (YCBA) Full Text also Available on line (ORBIS)Christopher Neve, Arthur Devis: A Minor English Master, Country Life (Archive 1901-2005), Time Inc. (UK) Ltd., London, 1972, p. 49, Fig. 13, Available online at Country Life ArchivePainting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 118 (v.1), no. 223, pl. 72, ND466 V57 v.1-2 (YCBA)Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p.55 (v.1), no. 203, pl. 19, ND466 R68 1964/65 (YCBA)Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)Mario Praz, Conversation Pieces : A Survey of the Informal Group Portrait in Europe and America, , Pennsylvania Academy of Fine Arts, University Park, 1971, p. 263, Fig. 329, ND1304 +P713 Oversize (YCBA)Kate Retford, The Conversation Piece Making Modern Art in Eighteenth-Century Britain, Yale University Press, New Haven, 2017, p. 236, fig. 180, ND1314.4 .R48 2017 (LC) Oversize (YCBA)Charles Saumarez Smith, Eighteenth-century decoration: design and the domestic interior in England, , Weidenfeld and Nicolson, London, 1993, pp. 200-01, no. 195, NK2043 A1 S28 1993 (YCBA)Slavery and Portraiture in 18th-century Atlantic Britain, [Website] , Yale Center for British Art, New Haven, 2015, Available online https://interactive.britishart.yale.edu/slavery-and-portraiture/David H. Solkin, Art in Britain 1660-1815, Yale University Press, New Haven, 2015, pp. 113-14, fig. 115, N6766 S65 2015 OVERSIZE (YCBA)Roy C. Strong, The British portrait, 1660-1960, Antique Collectors' Club, Woodbridge, Suffolk, 1991, pp. 142, 154, col. pl. 24, ND1314 B743 1991 (YCBA)James Walvin, The slave trade, Thames & Hudson, New York, 2011, p. 81, HT985 .W358 2011 (YCBA)Malcolm Warner, The Paul Mellon Bequest : treasures of a lifetime, , Yale Center for British Art, New Haven, CT, 2001, p.49, N5247 M385 P28 2001 (YCBA)Alice Winchester, English Conversation Pieces from the Mellon Collection, Antiques, vol. 83, April 1963, p. 445, NK1125 A3 v. 83 OVERSIZE (HAAS)Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, p. 21 (v.1), no. 74, pl. 19, ND466 Y35 (YCBA)
Gallery Label:
Of the four full-length figures depicted here, one is unidentified: the young black servant, who enters on the right to deliver a letter. The letter is addressed to John Orde, a landowner in Morpeth, in northern England, who sits on the far left, looking up from his newspaper. Anne, his wife, receives a pheasant from her stepson William, who has just returned from hunting. Family portraits flank the chimney and the mantelpiece displays blue-and-white porcelain vases imported from China.\n\n Gallery label for installation of YCBA collection, 2016