Landscape with Haymakers and a Distant View of a Georgian House
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 42 inches (76.2 x 106.7 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.21
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
sheep | hills | fields | farming | mountains | agriculture | horses (animals) | pediment | shovel | men | Georgian | mansion | house | dog (animal) | country house | donkey | river | landscape
Currently On View:
Not on view
Exhibition History:
Irish Silver (Clark Art Institute, 1984-09-25 - 1984-12-11)Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
Publications:
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 16-17, N590.2 A83 (YCBA)Country houses in Great Britain., Yale Center for British Art, New Haven, 1979, pp. 48-49, 113, no. 26, pl. 26, N6764 Y34 1979 (YCBA)Anne O. Crookshank, Irish Landscapes with an English Air, William Ashford (1746-1824) , Country Life, vol. 157, May 22, 1975, p. 1353, fig. 5, S3 +C68 157:3 (YCBA)Jane Fenlon, Irish Fine Art in the Early Modern Period : New Perspectives on Artistic Practice, 1620 - 1820, Newbridge, Country Kildare, Ireland, 2016, p. 159, fig. 06.02, N6787 I75 2016 (YCBA)John Harris, The artist and the country house, a history of country house and garden view painting in Britain, 1540-1870 , Sotheby Parke Bernet, London Totowa, N.J., 1979, pp. 256-257, 304, no. 342, fig. 342, N6764 H36 + (YCBA)Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, p. 178, no. V.I, pl. 151, ND1354.4 H38 (YCBA)Penelope McElwee, The non-representation of the agricultural labourers in 18th and 19th century English paintings : an exploration into the artistic conventions followed by the aristocracy and landowning classes in representations of the agricultural labourers ..., Newcastle upon Tyne, 2016, p. 57, fig. 4-4, NX650.L32 M34 2016 (YCBA)