Yale Center for British Art

Creator:
John Crome, 1768–1821, British
Title:
Yarmouth Pier
Date:
between 1810 and 1811
Materials & Techniques:
Oil on canvas
Dimensions:
20 1/2 x 33 inches (52.1 x 83.8 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.181
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
ocean | sails | seamen | jetty (erosion protection work) | people | wooden | men | sea | water | boats
Associated Places:
Great Yarmouth | Europe | United Kingdom | England | Norfolk
Currently On View:
Not on view
Exhibition History:
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
Publications:
C. H. Collins Baker, Crome, Methuen & co., ltd., London, 1921, p. 176-7, pl. XII, NJ18 C89 B84 1921 + (YCBA)

John Baskett, Painting in England: 1700-1850: the Collection of English paintings formed by Mr and Mrs Paul Mellon : on Exhibition at the Museum of Fine Arts, Richmond, until August 18th, , Connoisseur, Vol. 153, London, June 1963, p. 103, N1 C75 + (YCBA)

Christie's sale catalogue : Ancient and modern pictures and watercolour drawings : 8 May 1885, Christie's, Christie, Manson & Woods, London, 8th May 1885, p. 23, lot 167, Fiche B51 (YCBA) Also available online : Art Sales Catalogues Online - Lugt # 44909

Derek Plint Clifford, John Crome, New York Graphic Society, Greenwich, Conn., 1968, p. 199, no. 41, plate 80a, NJ18 C89 C5 1968 (YCBA)

Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 72-73, N590.2 A83 (YCBA)

William Frederick Dickes, The Norwich school of painting, being a full account of the Norwich exhibitions, the lives of the painters, the lists of their respective exhibits, and descriptions of the pictures , Jarrold & Sons Ltd, London, 1906, p. 64, ND471 N67 D53 + (YCBA)

Norman L. Goldberg, John Crome the Elder, New York University Press, New York, 1978, p. 199, no. 58, NJ18 C89 G65 + (YCBA)

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 13, ND466 G67 (YCBA)

Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 48, 128, no. II.6, pl. 40, 104, ND1354.4 H38 (YCBA)

Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 64 (v.1), no. 74, pl. 58, ND466 V57 v.1-2 (YCBA)

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 30 (v.1), no. 98, ND466 R68 1964/65 (YCBA)

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, pp. 16-7 (v.1), no. 55, ND466 Y35 (YCBA)
Link:
https://collections.britishart.yale.edu/catalog/tms:691