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Creator Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41)
Title Mountjoy Blount, Earl of Newport
Alternate Title(s) Mountjoy Blount, Ist Earl of Newport
Date 1637 to 1638
Medium Oil on canvas
Dimensions 85 x 51 inches (215.9 x 129.5 cm) Frame: 106 × 68 inches (269.2 × 172.7 cm)
Credit Line Yale Center for British Art, Paul Mellon Collection
Accession Number B1977.14.52
Collection Paintings and Sculpture
Link to This Record
People Represented or Subject • Blount, Mountjoy, first earl of Newport (c.1597–1666), courtier and politician
Subject Terms armors | boots | costume | drapery | earl | portrait | pose | soldiers | tents
Place Represented England | Essex | Newport | United Kingdom

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 30-31, no. 4, ND1314.3 Y36 1998 (YCBA)

Paul Mellon's Legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)

Yale Center for British Art, Selected paintings, drawings & books, Yale University Press, New Haven, CT, 1977, p. 4, N590.2 A82 (YCBA)

Susan J. Barnes, Van Dyck, a complete catalogue of the paintings, The Paul Mellon Centre for Studies in British Art, New Haven, 2004, pp. 561-2, Cat. No. IV.169, pl. IV 169, NJ18 D985 A12 B27 2004 + (YCBA)

Lionel Cust, Anthony Van Dyck: an historical study of his life and works ..., G. Bell & Sons, London, 1905, J18 D984 900Cb2 + (SML)

Van Dyck, des meisters gemèalde in 537 abbildungen; herausgegeben von Emil Schaeffer., bd. 13, Deutsche verlags-anstalt, Stuttgart und Leipzig, 1909, p. 376, NJ18 D985 A12 S32 (YCBA)

In honor of Paul Mellon, collector and benefactor, Essays, National Gallery of Art, Washington, DC & Hanover, NH, 1986, pp. 382-87, N7442.2 M455 1986 (YCBA)

Ellis Waterhouse, An Impressive Panorama of British Portraiture, Apollo, v. 105, no. 182, April 1977, pp. 240-1, pl. 1, N1 A54 + (YCBA) , Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]

Two Portraits by Van Dyck (Full page reproductions), American Magazine of Art, vol. 20, no. 6, June 1929, pp. 326, J10 M27 (LSF)

Research Notes: Van Dyck's English Portraits used Allegory, Historian Says, Chronicle of Higher Education, October 1987, p. A5, Film S694 (SML)

Sacheverell Sitwell, Van Dyck: An Appreciation, Burlington Magazine for Connoisseurs, vol. 79,no.465, December 1941, pp. 174-77, N1 B87 + (YCBA)

Christie's Sale Catalogue : 25 June 1971, Christie's, 1971, p. 14-15, Lot 10, Sales Catalogues (YCBA)

Elizabeth Honig, Van Dyck and Britain: London, Burlington Magazine, Vol. 151,no.1274, May 2009, pp. 327-29, N1 B87 + (YCAB)

British Art at Yale, Apollo, v.105, no. 182, April 1977, pp. 240-1, pl. 1, N5220 M552 A7 1977 OVERSIZE (YCBA) , Published as April 1977 issue of Apollo; all of the articles may also be found in bound Apollo Volume [N1 A54 105:2 +]

John McDonald, A Feast of Mellon, Sydney Morning Herald, May 9, 1998, p. 14, Film An Sy25 (SML) , Also Available Online (Factiva database)

Nicholas Penny, Duveen's French frames for British pictures, Burlington Magazine, Vol. CLI, no. 1275, June 2009, p. 392, N1 B87 + OVERSIZE (YCBA)

William III, Yale Center for British Art, New Haven, CT, 2011, p. 22, V2340

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