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Creator Duncan Grant, 1885–1978, British
Title In Memoriam: Rupert Brooke
Date 1915
Medium Oil and collage on panel
Dimensions 21 9/16 x 11 3/4 inches (54.8 x 29.8 cm) Frame: 23 x 13 1/2 x 1 1/2 inches (58.4 x 34.3 x 3.8 cm)
Credit Line Yale Center for British Art, Paul Mellon Fund
Accession Number B1985.3.3
Collection Paintings and Sculpture
Link to This Record
People Represented or Subject • Brooke, Rupert Chawner (1887–1915), poet
Subject Terms abstract art | memorial | poet | rectangles | representation | world war | World War, 1914-1918

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 171, 186, no. 77, ND1314.3 Y36 1998 (YCBA)

Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, p. 14, no. 24, N590.2 A7 OVERSIZE (YCBA)

Christopher Reed, Bloomsbury rooms, modernism, subculture, and domesticity, Yale University Press, New Haven, Conn., 2004, pp. 154-55, NX543 R44 2004 + (YCBA)

Elisabeth Fairman, Doomed youth, the poetry and the pity of the First World War : an exhibition organized by Elisabeth Fairman., Yale Center for British Art, [New Haven, 1999, p. 12, NC1849 W27 F25 1999 (YCBA)

Richard Cork, A bitter truth, avant-garde art and the Great War, Yale University Press, New Haven, CT, 1994, p. 79, N9150 C67 1994 (YCBA)

Simon Watney, The art of Duncan Grant, Murray, London, 1990, p. 42, NJ18 G74 W27 1990 (YCBA)

Douglas Blair Turnbaugh, Duncan Grant and the Bloomsbury Group, L. Stuart, Secaucus, N.J., 1987, p. 56, pl. 24, NJ18 G74 T87 (YCBA)

Richard Shone, The Charleston artists, Vanessa Bell, Duncan Grant and their friends, The Charleston Trust, [London ?], 1984, NJ18 B3907 S55 (YCBA)

The Omega Workshops, alliance and enmity in English art 1911-1920., Anthony d'Offay Gallery, London, 1984, no. 69, NK942 O45 O45 (YCBA)

Simon Watney, English post-impressionism, Studio Vista, London [Westfield, N.J.?], 1980, p. 98, ND468.5 P6 W38 (YCBA)

Duncan Grant, a 90th birthday exhibition of paintings, Scottish National Gallery of Modern Art, Edinburgh, 1975, p. 5, NJ18 G74 A12 1975 (YCBA)

Richard Shone, Bloomsbury portraits, Vanessa Bell, Duncan Grant, and their circle, Phaidon, Oxford, 1993, pp. 138-44, ND 468 S56 1993 (YCBA)

Richard Shone, The art of Bloomsbury, Roger Fry, Vanessa Bell and Duncan Grant, Tate Publishing, London, 1999, p. 152, fig. 103, ND468.5 B55 S56 1999 + (YCBA)

Diane Dillon, Looking and Difference in the Abstract Portraits of Charles Demuth and Duncan Grant, The Yale Journal of Criticism, Vol. 11, No. 1, 1998, pp. 39-51, PN80 Y35 (SML) , Also available online (Orbis)

Gretchen Gerzina, A room of their own, the Bloomsbury artists in American collections, Herbert F. Johnson Museum of Art, Ithaca, NY, 2008, p. 176, fig. 70, ND468.5.B55 R66 2008 (YCBA)

Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, p. 14, no. 24, N1 B87 128:3 OVERSIZE (YCBA)

Leah Dickerman, Inventing Abstraction, 1910-1925, how a radical idea changed modern art, Museum of Modern Art, New York, 2012, pp. 183, 187, no. 175, N6494.A2 D53 2012 OVERSIZE (YCBA)

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