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Creator Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Title Market Day, Roseau, Dominica
Alternate Title(s) Linen Market, Dominica
Linen Market, Roseau, Dominica
Date ca. 1780
Medium Oil on canvas
Dimensions 14 x 18 1/4 inches (35.6 x 46.4 cm)
Credit Line Yale Center for British Art, Paul Mellon Collection
Accession Number B1981.25.77
Collection Paintings and Sculpture
Link to This Record
Subject Terms boy | building | canopy | chair | children | costume | Creole | drums (membranophones) | genre subject | girl | linen (material) | market (event) | men | merchants | produce stands | selling | stalls | street | table | tent | town | toy | women
Place Represented Dominica | Lesser Antilles | Roseau | West Indies

Beth Fowkes Tobin, Colonizing nature, the tropics in British arts and letters, 1760-1820, Academy, University of Pennsylvania Press, Philadelphia, 2005, ??, PR129 T76 T63 2005 (YCBA) , Also available online - Project Muse (ORBIS)

Felicity Nussbaum, The Global Eighteenth Century, Johns Hopkins University Press, Baltimore, Md., 2003, pp. 204-206, fig.13.6, D287 G56 2003 (YCBA)

David Bindman, The History of British Art, Yale Center for British Art, New Haven, CT, 2008, p. 106, N6761 +H57 2008 Oversize (YCBA)

Elisabeth Fairman, Wilde Americk : Discovery and Exploration of the New World, , New Haven, 2001, p.15, V 0857 (YCBA)

Mia L. Bagneris, Agostino Brunias : Capturing the Carribean [sic] (c. 1770-1800), , Robilant + Voena, London, UK, 2010, pp. 10.12, fig. 4, NJ18 B84652 +B34 2010 Oversize (YCBA)

John Crowley, Imperial landscapes, Britains's global visual culture 1745-1820, Yale University Press, New Haven, CT, 2011, p. 118, fig. 140, N8214.5 G7 C76 2011 + (YCBA)

Women in port, gendering communities, economies, and social networks in Atlantic port cities, 1500-1800, Brill, Leiden, 2012, front cover, HQ1818.85 .W6596X 2012 (LC) (SML)

Leonora Sansay, Secret History, or, The Horrors of St. Domingo, Broadview Press, Peterborough, ON, 2007, ??, PS2769 .S43x 2007 (SML)

Beth Fowkes Tobin, Picturing Imperial Power : Colonial Subjects in Eighteenth Century British Painting, Duke University Press, Durham, North Carolina, 1999, p. 160, ND466 759 1999 (YCBA)

Dror Wharman, Making of the Modern Self : Identity and English Culture in the Eighteenth Century, Yale University Press, New Haven, CT, 2004, pp. 214-15, fig.32, DA485 .W34 2004 (YCBA)

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