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Creator Charles Philips, 1708–1747, British
Title The Watson-Wentworth and Finch Families
Alternate Title(s) The Finch Family
Date ca. 1732
Medium Oil on canvas
Dimensions 39 1/2 x 49 inches (100.3 x 124.5 cm)
Signed, lower left: "C Philip[?] Pinxit"
Credit Line Yale Center for British Art, Paul Mellon Collection
Accession Number B2001.2.67
Collection Paintings and Sculpture
Link to This Record
Subject Terms buildings | children | daughters | dog (animal) | men | obelisk | portrait | sons | women

Country houses in Great Britain., Yale Center for British Art, New Haven, 1979, pp. 5, 33-34, 107, no. 13, pl. 13, N6764 Y34 1979 (YCBA)

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon., Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 225 (v.1), no. 218, ND466 V57 v.1-2 (YCBA)

Malcolm Warner, The Paul Mellon Bequest : treasures of a lifetime, , Yale Center for British Art, New Haven, CT, 2001, p. 24, N5247 M385 P28 2001 (YCBA)

Malcolm Baker, The marble index : Roubiliac and sculptural portraiture in eighteenth-century Britain, The Paul Mellon Centre for Studies in British Art, New Haven, 2014, pp. 21, 24, fig. 23, NB466 .B355 2014 OVERSIZE (YCBA)

Ching-Jung Chen, The early Georgian conversation piece : Thesis (Ph. D.)--Rutgers University, UMI Dissertation Services, Ann Arbor, 2001, p. 136, 542-44, 579-80, cat. 126A, Available online : ProQuest Dissertations & Theses

Kate Retford, The Conversation Piece Making Modern Art in Eighteenth-Century Britain, Yale University Press, New Haven, p. 86, fig. 68, ND1314.4 .R48 2017 (LC) Oversize (YCBA)

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