Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
102
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
103
James Gillray, 1756–1815
French Liberty - British Slavery
1792
104
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
105
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
106
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
107
James Gillray, 1756–1815
The Introduction
1791
108
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
109
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
110
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
111
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
112
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
113
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
114
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
115
James Gillray, 1756–1815
The Lover's Dream
1795
116
James Gillray, 1756–1815
Copenhagen House
1795
117
James Gillray, 1756–1815
Presages of the Millenium
1795
118
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
119
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
120
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
121
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
122
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
123
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
124
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
125
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
126
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
127
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
128
James Gillray, 1756–1815
What a Cur ' tis
1795
129
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
130
James Gillray, 1756–1815
The Royal Society
1786
131
James Gillray, 1756–1815
The Prodigal Son
1787
132
James Gillray, 1756–1815
Love's Last Shift
1787
133
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
134
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
135
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
136
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
137
James Gillray, 1756–1815
Les Trois Magots
1791
138
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
139
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
140
James Gillray, 1756–1815
The Bridal-Night
1797
141
James Gillray, 1756–1815
The Sleep-Walker
1795
142
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
143
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
144
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
145
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
146
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
147
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
148
James Gillray, 1756–1815
The Tree of Liberty
1797
149
James Gillray, 1756–1815
The Death of the Great Wolf
1795
150
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
151
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
152
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
153
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
154
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
155
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
156
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
157
James Gillray, 1756–1815
Evacuation Before Resignation
1782
158
James Gillray, 1756–1815
The Republican - Attack
1795
159
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
160
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
161
James Gillray, 1756–1815
A Portrait ------------
1799
162
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
163
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
164
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
165
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
166
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
167
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
168
James Gillray, 1756–1815
Patience on a Monument
1791
169
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
170
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
171
James Gillray, 1756–1815
A Uniform Whig ---
1791
172
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
173
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
174
James Gillray, 1756–1815
The Royal Academy
1786
175
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
176
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
177
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
178
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
179
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
180
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
181
James Gillray, 1756–1815
The Bubbles of Opposition
1788
182
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
183
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
184
James Gillray, 1756–1815
The Triumphant Britons
1780
185
James Gillray, 1756–1815
John Bull Triumphant
1780
186
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
187
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
188
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
189
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
190
James Gillray, 1756–1815
The Soliloquy
1782
191
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
192
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
193
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
194
James Gillray, 1756–1815
The Legacy
1786
195
Print made by James Gillray, 1756–1815
The Sick Prince
1787
196
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
197
James Gillray, 1756–1815
The English Regency
1789
198
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
199
James Gillray, 1756–1815
The Battle of Bow-Street
1788
200
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"