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Collection Prints and Drawings

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Exhibition History A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)

Remove constraint Exhibition History: A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)

Subject Terms river

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An Arcadian Landscape
Creator:
George Lambert, 1700–1765
Date:
1742
Materials & Techniques:
Pastel on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/2 x 25 7/8 inches (49.5 x 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of Brian Allen, Director of Studies, Paul Mellon Centre for Studies in British Art (1993-2012)
The North
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall
Jedburgh Abbey from the South East
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Falls of Tivoli
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper, pasted on thick, smooth, cream wove paper
Dimensions:
Mount: 23 1/2 x 19 inches (59.7 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Drawing for The First Voyage
Creator:
William Mulready, 1786–1863
Date:
ca. 1833
Materials & Techniques:
Red chalk, white chalk, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/8 x 23 5/8 inches (48.6 x 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund