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1. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Fingal's Cave Staffa

Fingal's Cave Staffa
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Ashestiel

Ashestiel
Creator:
Print made by William Richardson, active 1842–1877
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Bending Pillars at Staffa (from Smith's Geography)

The Bending Pillars at Staffa (from Smith's Geography)
Creator:
Alfred William Warren, active 1791–1809
Date:
1810
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden

A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden
Creator:
John Tinney, died 1761
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View of the Flower Garden, & part of the Palace of Fountainbleau

View of the Flower Garden, & part of the Palace of Fountainbleau
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A View of Florence from the Convent of Capuchins at Montugi

A View of Florence from the Convent of Capuchins at Montugi
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Theatre of Water...

The Theatre of Water...
Creator:
J. Couse, active 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A General View of the City of Paris taken from an Eminence in the Village of Chaillot

A General View of the City of Paris taken from an Eminence in the Village of Chaillot
Creator:
Nathaniel Parr, active 1742–1751
Date:
1749
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Prospect of St. James's Park

A Prospect of St. James's Park
Creator:
Nathaniel Parr, active 1742–1751
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Abbotsford, Large Vignette

Abbotsford, Large Vignette
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Smailholm Tower

Smailholm Tower
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection