The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
102
James Gillray, 1756–1815
The Fall of Phaeton
1788
103
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
104
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
105
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
106
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
107
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
108
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
109
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
110
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
111
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
112
James Gillray, 1756–1815
Patience on a Monument
1791
113
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
114
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
115
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
116
James Gillray, 1756–1815
National Conveniences
1796
117
James Gillray, 1756–1815
Wha Wants Me?
1792
118
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
119
James Gillray, 1756–1815
Brisk Cathartic
1804
120
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
121
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
122
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
123
James Gillray, 1756–1815
The Grand - Signior retiring
1796
124
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
125
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
126
James Gillray, 1756–1815
Duke William's Ghost
1799
127
James Gillray, 1756–1815
Palemon and Lavinia
1805
128
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
129
James Gillray, 1756–1815
Playing in Parts
1801
130
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
131
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
132
James Gillray, 1756–1815
Fashionable Jockeyship
1796
133
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
134
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
135
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
136
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
137
James Gillray, 1756–1815
Evacuation of Malta
1803
138
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
139
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
140
James Gillray, 1756–1815
The Soliloquy
1782
141
James Gillray, 1756–1815
Hounds in Full-Cry
1800
142
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
143
James Gillray, 1756–1815
A Morning Ride
1804
144
James Gillray, 1756–1815
Evacuation Before Resignation
1782
145
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
146
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
147
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
148
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
149
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
150
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
151
James Gillray, 1756–1815
The Tree of Liberty
1797
152
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
153
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
154
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
155
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
156
James Gillray, 1756–1815
Le Coup de Maitre
1797
157
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
158
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
159
James Gillray, 1756–1815
The Lover's Dream
1795
160
James Gillray, 1756–1815
Presages of the Millenium
1795
161
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
162
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
163
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
164
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
165
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
166
James Gillray, 1756–1815
Love's Last Shift
1787
167
James Gillray, 1756–1815
The Prodigal Son
1787
168
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
169
James Gillray, 1756–1815
Les Trois Magots
1791
170
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
171
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
172
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
173
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
174
James Gillray, 1756–1815
The Legacy
1786
175
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
176
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
177
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
178
Print made by James Gillray, 1756–1815
The Sick Prince
1787
179
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
180
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
181
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
182
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
183
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
184
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
185
James Gillray, 1756–1815
Malagrida, Driving Post
186
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
187
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
188
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
189
James Gillray, 1756–1815
The Bottomless-Pitt
1792
190
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
191
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
192
James Gillray, 1756–1815
The Finishing Touch
1791
193
James Gillray, 1756–1815
Wha Wants Me?
1792
194
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
195
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
196
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
197
James Gillray, 1756–1815
The Bridal-Night
1797
198
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---