Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
202
James Gillray, 1756–1815
The Introduction
1791
203
James Gillray, 1756–1815
Ancient Music
1787
204
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
205
James Gillray, 1756–1815
The Bottomless-Pitt
1792
206
James Gillray, 1756–1815
Malagrida, Driving Post
207
James Gillray, 1756–1815
Wha Wants Me?
1792
208
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
209
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
210
James Gillray, 1756–1815
The Finishing Touch
1791
211
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
212
James Gillray, 1756–1815
Hounds in Full-Cry
1800
213
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
214
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
215
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
216
James Gillray, 1756–1815
The Bridal-Night
1797
217
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
218
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
219
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
220
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
221
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
222
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
223
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
224
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
225
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
226
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
227
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
228
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
229
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
230
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
231
James Gillray, 1756–1815
Patience on a Monument
1791
232
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
233
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
234
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
235
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
236
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
237
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
238
James Gillray, 1756–1815
The Triumphant Britons
1780
239
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
240
James Gillray, 1756–1815
Coming-In at the Death
1800
241
James Gillray, 1756–1815
Hounds Throwing-Off
1800
242
James Gillray, 1756–1815
Hounds in Finding
1800
243
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
244
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
245
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
246
James Gillray, 1756–1815
Evacuation Before Resignation
1782
247
Print made by Joseph Brown, 19th century
James Gillray
1848
248
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
249
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
250
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
251
James Gillray, 1756–1815
Scene le Vrog House
1782
252
James Gillray, 1756–1815
Les Trois Magots
1791
253
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
254
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
255
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
256
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
257
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
258
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
259
James Gillray, 1756–1815
The Pigs Possessed
1807
260
James Gillray, 1756–1815
Egyptian Sketches
1799
261
James Gillray, 1756–1815
Light Expelling Darkness
1795
262
James Gillray, 1756–1815
New Morality
1798
263
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
264
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
265
James Gillray, 1756–1815
The Generae of Patriotism
1796
266
James Gillray, 1756–1815
The Injured Countess
1786-1788
267
James Gillray, 1756–1815
Gillray Caricatures
268
James Gillray, 1756–1815
Sawney in the Bog-House
1779
269
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
270
James Gillray, 1756–1815
The Castle in the Moon
1782
271
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
272
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
273
James Gillray, 1756–1815
The Fall of Phaeton
1788
274
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
275
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
276
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
277
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
278
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
279
James Gillray, 1756–1815
Patience on a Monument
1791
280
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
281
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
282
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
283
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
284
James Gillray, 1756–1815
National Conveniences
1796
285
James Gillray, 1756–1815
Wha Wants Me?
1792
286
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
287
James Gillray, 1756–1815
Brisk Cathartic
1804
288
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
289
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
290
James Gillray, 1756–1815
Fashionable Jockeyship
1796
291
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
292
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
293
James Gillray, 1756–1815
The Grand - Signior retiring
1796
294
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
295
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
296
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
297
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
298
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
299
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar