A New Administration, or the State Quacks Administering
1783
102
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
103
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
104
James Gillray, 1756–1815
Egyptian Sketches
1799
105
James Gillray, 1756–1815
New Morality
1798
106
James Gillray, 1756–1815
Light Expelling Darkness
1795
107
James Gillray, 1756–1815
Doublûres of Characters
1798
108
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
109
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
110
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
111
James Gillray, 1756–1815
Tales of wonder
1802
112
James Gillray, 1756–1815
Playing in Parts
1801
113
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
114
James Gillray, 1756–1815
The Generae of Patriotism
1796
115
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
116
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
117
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
118
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
119
James Gillray, 1756–1815
Visiting the Sick
1806
120
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
121
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
122
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
123
James Gillray, 1756–1815
Le Diable Boiteaux
1806
124
James Gillray, 1756–1815
The Cabinetical Balance
1806
125
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
126
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
127
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
128
James Gillray, 1756–1815
Fine Bracing Weather
1808
129
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
130
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
131
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
132
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
133
James Gillray, 1756–1815
[ untitled ]
1800
134
James Gillray, 1756–1815
Brisk Cathartic
1804
135
James Gillray, 1756–1815
Breathing a Vein
1804
136
James Gillray, 1756–1815
Brisk Cathartic
1804
137
James Gillray, 1756–1815
Charming Well Again
1804
138
James Gillray, 1756–1815
A Standing dish at Boodles
1800
139
James Gillray, 1756–1815
Visiting the Sick
1806
140
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
141
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
142
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
143
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
144
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
145
James Gillray, 1756–1815
Junction of Parties
1783
146
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
147
James Gillray, 1756–1815
National Conveniences
1796
148
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
149
James Gillray, 1756–1815
Brisk Cathartic
1804
150
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
151
James Gillray, 1756–1815
Fashionable Jockeyship
1796
152
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
153
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
154
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
155
James Gillray, 1756–1815
Duke William's Ghost
1799
156
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
157
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
158
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
159
James Gillray, 1756–1815
The English Regency
1789
160
James Gillray, 1756–1815
The Battle of Bow-Street
1788
161
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
162
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
163
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
164
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
165
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
166
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
167
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
168
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
169
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
170
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
171
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
172
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
173
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
174
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
175
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
176
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
177
James Gillray, 1756–1815
The Legacy
1786
178
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
179
Print made by James Gillray, 1756–1815
The Sick Prince
1787
180
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
181
James Gillray, 1756–1815
The Tottering Pyramid
1784
182
James Gillray, 1756–1815
The Soliloquy
1782
183
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
184
James Gillray, 1756–1815
A Morning Ride
1804
185
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
186
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
187
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
188
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
189
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
190
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
191
James Gillray, 1756–1815
Les Trois Magots
1791
192
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
193
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
194
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
195
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
196
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
197
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
198
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793