The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
102
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
103
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
104
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
105
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
106
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
107
James Gillray, 1756–1815
Independence
1799
108
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
109
James Gillray, 1756–1815
A Man of Importance
1799
110
James Gillray, 1756–1815
A Portrait ------------
1799
111
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
112
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
113
James Gillray, 1756–1815
A Hackney Meeting
1796
114
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
115
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
116
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
117
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
118
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
119
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
120
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
121
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
122
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
123
James Gillray, 1756–1815
A Uniform Whig ---
1791
124
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
125
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
126
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
127
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
128
James Gillray, 1756–1815
The Royal Academy
1786
129
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
130
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
131
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
132
James Gillray, 1756–1815
Gillray Caricatures
133
James Gillray, 1756–1815
Sawney in the Bog-House
1779
134
James Gillray, 1756–1815
The Injured Countess
1786-1788
135
James Gillray, 1756–1815
Junction of Parties
1783
136
James Gillray, 1756–1815
Wouski
1788
137
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
138
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
139
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
140
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
141
James Gillray, 1756–1815
Patience on a Monument
1791
142
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
143
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
144
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
145
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
146
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
147
James Gillray, 1756–1815
Wha Wants Me?
1792
148
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
149
James Gillray, 1756–1815
National Conveniences
1796
150
James Gillray, 1756–1815
The Grand - Signior retiring
1796
151
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
152
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
153
James Gillray, 1756–1815
Evacuation of Malta
1803
154
James Gillray, 1756–1815
Playing in Parts
1801
155
James Gillray, 1756–1815
Palemon and Lavinia
1805
156
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
157
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
158
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
159
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
160
James Gillray, 1756–1815
The Castle in the Moon
1782
161
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
162
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
163
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
164
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
165
James Gillray, 1756–1815
Duke William's Ghost
1799
166
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
167
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
168
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
169
James Gillray, 1756–1815
The Fall of Phaeton
1788
170
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
171
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
172
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
173
James Gillray, 1756–1815
Brisk Cathartic
1804
174
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
175
James Gillray, 1756–1815
Fashionable Jockeyship
1796
176
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
177
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
178
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
179
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
180
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
181
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
182
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
183
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
184
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
185
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
186
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
187
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
188
James Gillray, 1756–1815
The Soliloquy
1782
189
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
190
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
191
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
192
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
193
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
194
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
195
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
196
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
197
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy