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Period 18th century

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Creator Gillray, James, 1756–1815

Remove constraint Creator: Gillray, James, 1756–1815

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unknown artist Four Figures on a Sheet
unknown artist
Four Figures on a Sheet
undated
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
James Gillray The Apotheosis of Hoche
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
James Gillray Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
James Gillray A Sun Setting in a Fog, With The Old Hanover Hack Descending
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
James Gillray The - Battle Royal, or Who Wears the Breeches
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
James Gillray The Friendly Agent
James Gillray, 1756–1815
The Friendly Agent
1787
James Gillray A Warm Birth for the Old Administration -----
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
James Gillray The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
James Gillray A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
James Gillray Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc.
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
James Gillray A Coalition of Parties, Give Justice Her Claims
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
James Gillray Scene Le Vrog House
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
James Gillray The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
James Gillray The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
James Gillray Jack A Both Sides!
James Gillray, 1756–1815
Jack A Both Sides!
1783
James Gillray The Minister In - The Minister Out
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
James Gillray Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
James Gillray The Dutch Divisions
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
James Gillray Swearing to the Cutting Monster or - A Scene in Bow Street
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
James Gillray Scene le Vrog House
James Gillray, 1756–1815
Scene le Vrog House
1782
James Gillray Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
James Gillray Apothecaries, Taylors & c. Conquering France and Spain
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
James Gillray National Discourse
James Gillray, 1756–1815
National Discourse
1780
James Gillray The Nabob Rumbled or A Lord Advocates Amusement
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
James Gillray Les Trois Magots
James Gillray, 1756–1815
Les Trois Magots
1791
James Gillray Anticipation, or the approaching fate of the French commercial treaty
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
James Gillray French Democrats surprizing the Royal Runaways
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
James Gillray A Standing-dish at Boodles
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
James Gillray The Minister In / The Minister Out
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
James Gillray New Morality
James Gillray, 1756–1815
New Morality
1798
James Gillray Doublûres of Characters
James Gillray, 1756–1815
Doublûres of Characters
1798
James Gillray Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
James Gillray Election Troops bringing in their accounts to the Paytable
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
James Gillray Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
James Gillray Tom Paine's Nightly Pest
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
James Gillray The Generae of Patriotism
James Gillray, 1756–1815
The Generae of Patriotism
1796
James Gillray Visiting the Sick
James Gillray, 1756–1815
Visiting the Sick
1806
James Gillray Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
James Gillray Every Man has his Hobby Horse
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
James Gillray Les Membres du Conseil des Cinq Cents. French Habits No. 3
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
James Gillray Councellor Ego. -i.e: little i, myself i
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
James Gillray "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798