Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
202
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
203
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
204
James Gillray, 1756–1815
Scene le Vrog House
1782
205
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
206
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
207
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
208
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
209
James Gillray, 1756–1815
National Discourse
1780
210
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
211
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
212
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
213
James Gillray, 1756–1815
Les Trois Magots
1791
214
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
215
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
216
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
217
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
218
James Gillray, 1756–1815
Gentle Emetic
1804
219
James Gillray, 1756–1815
Charming-well again
1804
220
James Gillray, 1756–1815
Breathing a vein
1804
221
James Gillray, 1756–1815
Taking Physick
1800
222
James Gillray, 1756–1815
Wha Wants Me?
1792
223
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
224
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
225
James Gillray, 1756–1815
The Pigs Possessed
1807
226
James Gillray, 1756–1815
Doublûres of Characters
1798
227
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
228
James Gillray, 1756–1815
New Morality
1798
229
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
230
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
231
James Gillray, 1756–1815
Light Expelling Darkness
1795
232
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
233
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
234
James Gillray, 1756–1815
Tales of wonder
1802
235
James Gillray, 1756–1815
The Generae of Patriotism
1796
236
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
237
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
238
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
239
James Gillray, 1756–1815
Playing in Parts
1801
240
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
241
James Gillray, 1756–1815
The Friend of the People
1806
242
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
243
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
244
James Gillray, 1756–1815
Visiting the Sick
1806
245
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
246
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
247
James Gillray, 1756–1815
Taking Physic
1800
248
James Gillray, 1756–1815
Brisk Cathartic
1804
249
James Gillray, 1756–1815
Charming Well Again
1804
250
James Gillray, 1756–1815
A Standing dish at Boodles
1800
251
James Gillray, 1756–1815
Breathing a Vein
1804
252
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
253
James Gillray, 1756–1815
A Masonic Anecdote
1786
254
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
255
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
256
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
257
James Gillray, 1756–1815
Egyptian Sketches
1799
258
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
259
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
260
James Gillray, 1756–1815
Le Diable Boiteaux
1806
261
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
262
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
263
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
264
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
265
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
266
James Gillray, 1756–1815
The Cabinetical Balance
1806
267
James Gillray, 1756–1815
Fine Bracing Weather
1808
268
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
269
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
270
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
271
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
272
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
273
James Gillray, 1756–1815
[ untitled ]
1800
274
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
275
James Gillray, 1756–1815
Visiting the Sick
1806
276
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
277
James Gillray, 1756–1815
Evacuation Before Resignation
1782
278
James Gillray, 1756–1815
The Tottering Pyramid
1784
279
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
280
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
281
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
282
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
283
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
284
James Gillray, 1756–1815
The English Regency
1789
285
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
286
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
287
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
288
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
289
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
290
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
291
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
292
James Gillray, 1756–1815
Love's Last Shift
1787
293
James Gillray, 1756–1815
The Royal Society
1786
294
James Gillray, 1756–1815
The Prodigal Son
1787
295
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
296
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
297
James Gillray, 1756–1815
Les Trois Magots
1791
298
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
299
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
300
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars