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Materials & Techniques gray wash

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Period 19th century-20th century

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Subject Terms women

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Philipines
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Decision
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Gray wash and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, smooth beige card
Dimensions:
Sheet: 4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
London Damsels
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 7 1/2 × 5 inches (19.1 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Christmas Belles
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 4 1/2 inches (19.1 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Indecision
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
One o'clock a.m. Supper
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, smooth, cream card
Dimensions:
Sheet: 6 7/8 × 6 1/2 inches (17.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund