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Materials & Techniques gray ink

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Materials & Techniques gray wash

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On-site Access Accessible by appointment in the Study Room

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Exhibition History Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

Remove constraint Exhibition History: Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

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Venus and Adonis
Creator:
Peter Oliver, 1589–1647
Date:
1631
Materials & Techniques:
Gray wash, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 8 13/16 inches (19.2 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horsemen Colliding
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Creation of the Heavens
Creator:
John Flaxman, 1755–1826
Date:
ca. 1790
Materials & Techniques:
Gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 10 inches (23.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Geographers
Creator:
John Brown, 1749–1787
Date:
undated
Materials & Techniques:
Pen and gray ink, pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 10 1/8 inches (18.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Wankaka

Wankaka
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Pen and gray ink, black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 19 3/16 inches (34.8 × 48.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection