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101. The East Prospect of the Abby of St. Peter and of the Parish Church of St. Margaret, Westminster

The East Prospect of the Abby of St. Peter and of the Parish Church of St. Margaret, Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

102. North West View of Westminster Abbey

North West View of Westminster Abbey
Creator:
unknown artist
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

103. A Perspective View of Westminster Abbey and St. Margaret's Church

A Perspective View of Westminster Abbey and St. Margaret's Church
Creator:
John Maurer, active 1713–1761
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

104. Westminster Abbey

Westminster Abbey
Creator:
Thomas Medland, 1755–1823
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

105. Chiesa di Westminster

Chiesa di Westminster
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

106. An East Prospect of Westminster Abby

An East Prospect of Westminster Abby
Creator:
John June, active 1740–1770
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

107. An East Prospect of Westminster Abby

An East Prospect of Westminster Abby
Creator:
John June, active 1740–1770
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

108. Westminster Abbey

Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

109. A South View of Westminster Abbey and St. Margaret's Church

A South View of Westminster Abbey and St. Margaret's Church
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

110. North West View of Westminster Abbey

North West View of Westminster Abbey
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

111. A South View of Westminster Abbey and St. Margaret's Church

A South View of Westminster Abbey and St. Margaret's Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

112. Westminster Abbey from the North East

Westminster Abbey from the North East
Creator:
unknown artist
Materials & Techniques:
Etched outline
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

113. Deans Yard

Deans Yard
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

114. North East View of Westminster Abbey (on two sheets)

North East View of Westminster Abbey (on two sheets)
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

115. Westminster Abbey

Westminster Abbey
Creator:
Edmund Walker, active 1836–died 1882
Date:
1852
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

116. North Front of Westminster Abbey

North Front of Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

117. Westminster Abbey, St. Margaret's Church and the New Square from Parliament Street

Westminster Abbey, St. Margaret's Church and the New Square from Parliament Street
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

118. North East View of Westminster Abbey

North East View of Westminster Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

119. North East View of Westminster Abbey

North East View of Westminster Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

120. Aldersgate Ward and St. Martins le Grand Liberty

Aldersgate Ward and St. Martins le Grand Liberty
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

121. Aldgate Ward with its Division in to Parishes

Aldgate Ward with its Division in to Parishes
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

122. Billingsgate Ward and Bridge Ward Within

Billingsgate Ward and Bridge Ward Within
Creator:
Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

123. Billingsgate Ward and Bridge Ward Within

Billingsgate Ward and Bridge Ward Within
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

124. Londen oder Londen die Haupostatt in Engellandt/ am flunz Thamesis gelegen/auff das aller (from Cosmographia oder Beschreibung de Gantzen Weitt)

Londen oder Londen die Haupostatt in Engellandt/ am flunz Thamesis gelegen/auff das aller (from Cosmographia oder Beschreibung de Gantzen Weitt)
Creator:
Sebastian M. Munster, 1489–1552
Date:
1550
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

125. The Jerusalem Chamber and Entrance to the Cloisters

The Jerusalem Chamber and Entrance to the Cloisters
Creator:
John Greig, active 1803–1853
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

126. Porch of Henry seventh Chapel

Porch of Henry seventh Chapel
Creator:
John Bluck, active 1791–1831
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

127. Tomb of Henry VII, Westminster Abbey

Tomb of Henry VII, Westminster Abbey
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1665
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

128. Memorials in the North Entrance

Memorials in the North Entrance
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

129. King Henry the third's Monument and Queen Eleanor

King Henry the third's Monument and Queen Eleanor
Creator:
Robert Sands, 1792–1855
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

130. Henrici Chicheley

Henrici Chicheley
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

131. Poets and Philosophers of England: The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve.

Poets and Philosophers of England: The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve.
Creator:
John Smith, 1652–1743
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 x 11 1/4in. (43.2 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

132. An Airing in Hyde Park

An Airing in Hyde Park
Creator:
Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

133. The Father's Leave Taking

The Father's Leave Taking
Creator:
William Holman Hunt, 1827–1910
Date:
1879
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

134. Gray's Letters, Volume First (a vignette)

Gray's Letters, Volume First (a vignette)
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

135. Parsonage House at Great Brington

Parsonage House at Great Brington
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

136. Meer Hall, Worcestershire

Meer Hall, Worcestershire
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

137. New College to be built at Lampeter in Cardiganshire

New College to be built at Lampeter in Cardiganshire
Creator:
Charles J. Hullmandel, 1789–1850
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 21 1/2 x 15in. (54.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

138. Kelchuin Castle Loch Awe

Kelchuin Castle Loch Awe
Creator:
Jackson Simpson, 1893–1963
Materials & Techniques:
Etching and drypoint on laid paper
Dimensions:
Sheet: 9 1/8 x 11 1/4in. (23.2 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

139. Wet Sand

Wet Sand
Creator:
Jackson Simpson, 1893–1963
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 9 1/8 x 11 1/4in. (23.2 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

140. Set of four: 2. Partridge Shooting

Set of four: 2. Partridge Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

141. Exterior of the Prince of Wales Conservatory at Charlton House

Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

142. Set of four: 4. Woodcock Shooting

Set of four: 4. Woodcock Shooting
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

143. Set of four: 3. Pheasant Shooting

Set of four: 3. Pheasant Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

144. Dom Carolus De columna A Cons. stat. Prim. A cubic Reg. Ma. tis. Cath. Magister. campi. Gnalis in Belg. etc.

Dom Carolus De columna A Cons. stat. Prim. A cubic Reg. Ma. tis. Cath. Magister. campi. Gnalis in Belg. etc.
Creator:
Paulus Pontius, 1603–1658
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

145. Friar Bacon and His Brazen Head

Friar Bacon and His Brazen Head
Creator:
Richard Newton, 1777–1798
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/4 x 9 7/8in. (27.3 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

146. Le Roi Esclave on Les Sujets Rois Female Patriotism

Le Roi Esclave on Les Sujets Rois Female Patriotism
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 x 28in. (17.8 x 71.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

147. Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc.

Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc.
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 15 3/4in. (22.9 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

148. Louis Dethron'd; or Hell Broke Loose in Paris

Louis Dethron'd; or Hell Broke Loose in Paris
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 3/4in. (24.1 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

149. The Freemen Triumphant or the Mare Foald or Here Folly

The Freemen Triumphant or the Mare Foald or Here Folly
Creator:
Isaac Cruikshank, 1764–1811
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 7/8 x 22 1/2in. (17.5 x 57.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

150. Arming in the Defence of the French Princes or the Parting of Hector and Andromache

Arming in the Defence of the French Princes or the Parting of Hector and Andromache
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 14 1/2in. (33 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

151. Evacuation of Holland, or, Fire and Water Too Much for Dumourier.

Evacuation of Holland, or, Fire and Water Too Much for Dumourier.
Creator:
William Dent, active 1784–1793
Date:
1793
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 7/8 x 13 11/16in. (25.1 x 34.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

152. The Libertine Reclaim'd or John Bull Bullied

The Libertine Reclaim'd or John Bull Bullied
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

153. Saint Catharine and St. George

Saint Catharine and St. George
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 15 7/8in. (25.1 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

154. The Grand Review on Sydenham Common

The Grand Review on Sydenham Common
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/8 x 17 3/4in. (28.9 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

155. Opening the Sluices, Or, - Hollands Last Shift

Opening the Sluices, Or, - Hollands Last Shift
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 1/4in. (22.4 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

156. Resignation the Greatest of all Virtues

Resignation the Greatest of all Virtues
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 15/16 x 13 1/8in. (22.7 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

157. One of the Family!

One of the Family!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 15/16 x 9 1/4in. (30.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

158. The Rape of Helen

The Rape of Helen
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/8in. (24.4 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

159. Symptoms of Affection, Or - A Specimen of Martial Prowess

Symptoms of Affection, Or - A Specimen of Martial Prowess
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 11/16in. (22.2 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

160. Lowther Arcade

Lowther Arcade
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

161. John Glover

John Glover
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

162. Eton College

Eton College
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

163. Industry, The best way to Secure Liberty and preserve Order

Industry, The best way to Secure Liberty and preserve Order
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 8 x 11 1/8in. (20.3 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

164. The Windsor Milkman or, Anything to turn a Penny

The Windsor Milkman or, Anything to turn a Penny
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/2 x 9 7/8in. (34.3 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

165. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

166. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

167. The Present State of Europe, Or - John Bull on his Last Legs

The Present State of Europe, Or - John Bull on his Last Legs
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 1/4in. (21.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

168. The Rival Pigs

The Rival Pigs
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 11/16 x 14 3/16in. (22.1 x 36cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

169. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

170. Spetchley Worcestershire

Spetchley Worcestershire
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

171. Apsley House

Apsley House
Creator:
unknown artist
Date:
1842
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

172. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

173. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

174. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

175. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

176. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

177. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

178. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

179. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

180. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

181. Vanity Fair - Chancellors of Exchequer. 'In the winning Crew'. Mr. R. McKenna, M.P.

Vanity Fair - Chancellors of Exchequer. 'In the winning Crew'. Mr. R. McKenna, M.P.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

182. Vanity Fair - Clergy. Men of the Day, no.51 'The head of the Dissenters'. Binney. 12 October 1872

Vanity Fair - Clergy. Men of the Day, no.51 'The head of the Dissenters'. Binney. 12 October 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

183. Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12

Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12
Creator:
unknown artist
Date:
1910-1912
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

184. Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885

Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1885
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

185. Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876

Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

186. Vanity Fair - Clergy. 'High Church'. Rev. Cary Liddon. 16 September 1876

Vanity Fair - Clergy. 'High Church'. Rev. Cary Liddon. 16 September 1876
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

187. Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869

Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869
Creator:
Carlo Pellegrini, 1839–1889
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

188. Vanity Fair - Clergy. 'Tracts for the times'. Cardinal Newman. 20 January 1877

Vanity Fair - Clergy. 'Tracts for the times'. Cardinal Newman. 20 January 1877
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

189. Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884

Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884
Creator:
Carlo Pellegrini, 1839–1889
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

190. Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869

Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869
Creator:
Carlo Pellegrini, 1839–1889
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

191. Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881

Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881
Creator:
Carlo Pellegrini, 1839–1889
Date:
1881
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

192. Vanity Fair - Clergy. 'Southwell'. Rev. George Ridding, Bishop of Southwell. 15 August 1901

Vanity Fair - Clergy. 'Southwell'. Rev. George Ridding, Bishop of Southwell. 15 August 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

193. Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870

Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

194. Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872

Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

195. Vanity Fair - Clergy. 'A Bishop of Decision'. Rev. Cosmo Gordon Lang. 19 April 1906

Vanity Fair - Clergy. 'A Bishop of Decision'. Rev. Cosmo Gordon Lang. 19 April 1906
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

196. Mr. Sparrow's House, Ipswich

Mr. Sparrow's House, Ipswich
Creator:
unknown artist
Date:
1829
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

197. St. Savior's Church, Haverstock Hill. View from the South West.

St. Savior's Church, Haverstock Hill. View from the South West.
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

198. The Political Locust

The Political Locust
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 14 1/16in. (24.8 x 35.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

199. The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated

The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 14 7/16in. (25.1 x 36.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

200. Bless Thee Bottom, Bless Thee-Thou Art Translated

Bless Thee Bottom, Bless Thee-Thou Art Translated
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/16 x 8 3/8in. (24 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art