John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
202
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
203
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
204
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
205
James Gillray, 1756–1815
The Introduction
1791
206
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
207
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
208
James Gillray, 1756–1815
The Bottomless-Pitt
1792
209
James Gillray, 1756–1815
The Finishing Touch
1791
210
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
211
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
212
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
213
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
214
James Gillray, 1756–1815
The Bridal-Night
1797
215
James Gillray, 1756–1815
The Sleep-Walker
1795
216
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
217
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
218
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
219
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
220
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
221
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
222
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
223
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
224
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
225
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
226
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
227
James Gillray, 1756–1815
The Soliloquy
1782
228
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
229
James Gillray, 1756–1815
The Legacy
1786
230
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
231
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
232
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
233
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
234
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
235
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
236
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
237
James Gillray, 1756–1815
The Prodigal Son
1787
238
James Gillray, 1756–1815
Love's Last Shift
1787
239
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
240
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
241
James Gillray, 1756–1815
Hounds in Full-Cry
1800
242
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
243
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
244
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
245
James Gillray, 1756–1815
Ancient Music
1787
246
James Gillray, 1756–1815
Malagrida, Driving Post
247
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
248
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
249
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
250
James Gillray, 1756–1815
Wha Wants Me?
1792
251
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
252
Print made by James Gillray, 1756–1815
The Sick Prince
1787
253
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
254
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
255
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
256
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
257
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
258
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
259
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
260
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
261
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
262
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
263
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
264
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
265
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
266
James Gillray, 1756–1815
A Man of Importance
1799
267
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
268
James Gillray, 1756–1815
Independence
1799
269
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
270
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
271
James Gillray, 1756–1815
A Portrait ------------
1799
272
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
273
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
274
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
275
James Gillray, 1756–1815
A Uniform Whig ---
1791
276
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
277
James Gillray, 1756–1815
The Royal Academy
1786
278
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
279
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
280
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
281
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
282
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
283
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
284
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
285
James Gillray, 1756–1815
The Bubbles of Opposition
1788
286
James Gillray, 1756–1815
The Friendly Agent
1787
287
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
288
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
289
James Gillray, 1756–1815
John Bull Triumphant
1780
290
James Gillray, 1756–1815
The Triumphant Britons
1780
291
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
292
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
293
James Gillray, 1756–1815
A Morning Ride
1804
294
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
295
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
296
James Gillray, 1756–1815
Les Trois Magots
1791
297
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty