A New Administration, or the State Quacks Administering
1783
106
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
107
James Gillray, 1756–1815
Doublûres of Characters
1798
108
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
109
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
110
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
111
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
112
James Gillray, 1756–1815
Tales of wonder
1802
113
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
114
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
115
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
116
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
117
James Gillray, 1756–1815
The Pigs Possessed
1807
118
James Gillray, 1756–1815
Egyptian Sketches
1799
119
James Gillray, 1756–1815
New Morality
1798
120
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
121
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
122
James Gillray, 1756–1815
Fine Bracing Weather
1808
123
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
124
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
125
James Gillray, 1756–1815
Brisk Cathartic
1804
126
James Gillray, 1756–1815
Brisk Cathartic
1804
127
James Gillray, 1756–1815
Taking Physic
1800
128
James Gillray, 1756–1815
A Standing dish at Boodles
1800
129
James Gillray, 1756–1815
Breathing a Vein
1804
130
James Gillray, 1756–1815
Charming Well Again
1804
131
James Gillray, 1756–1815
The Generae of Patriotism
1796
132
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
133
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
134
James Gillray, 1756–1815
Scene le Vrog House
1782
135
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
136
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
137
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
138
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
139
James Gillray, 1756–1815
National Discourse
1780
140
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
141
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
142
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
143
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
144
James Gillray, 1756–1815
Ancient Music
1787
145
James Gillray, 1756–1815
The Sleep-Walker
1795
146
James Gillray, 1756–1815
The Bridal-Night
1797
147
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
148
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
149
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
150
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
151
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
152
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
153
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
154
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
155
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
156
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
157
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
158
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
159
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
160
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
161
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
162
James Gillray, 1756–1815
A Man of Importance
1799
163
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
164
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
165
James Gillray, 1756–1815
Independence
1799
166
James Gillray, 1756–1815
A Portrait ------------
1799
167
James Gillray, 1756–1815
A Hackney Meeting
1796
168
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
169
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
170
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
171
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
172
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
173
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
174
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
175
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
176
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
177
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
178
James Gillray, 1756–1815
Patience on a Monument
1791
179
James Gillray, 1756–1815
The Royal Academy
1786
180
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
181
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
182
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
183
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
184
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
185
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
186
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
187
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
188
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
189
James Gillray, 1756–1815
The Triumphant Britons
1780
190
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
191
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
192
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
193
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
194
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
195
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
196
James Gillray, 1756–1815
The Soliloquy
1782
197
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
198
Print made by James Gillray, 1756–1815
The Sick Prince
1787
199
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
200
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will