The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
2
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
3
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
4
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
5
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
6
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
7
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
8
James Gillray, 1756–1815
Patience on a Monument
1791
9
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
10
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
11
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
12
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
13
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
14
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
15
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
16
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
17
James Gillray, 1756–1815
A Uniform Whig ---
1791
18
James Gillray, 1756–1815
The Royal Academy
1786
19
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
20
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
21
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
22
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
23
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
24
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
25
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
26
James Gillray, 1756–1815
Independence
1799
27
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
28
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
29
James Gillray, 1756–1815
A Hackney Meeting
1796
30
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
31
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
32
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
33
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
34
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
35
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
36
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
37
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
38
James Gillray, 1756–1815
A Man of Importance
1799
39
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
40
James Gillray, 1756–1815
A Portrait ------------
1799
41
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
42
James Gillray, 1756–1815
Hounds in Full-Cry
1800
43
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
44
James Gillray, 1756–1815
The Soliloquy
1782
45
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
46
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
47
James Gillray, 1756–1815
The Legacy
1786
48
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
49
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
50
Print made by James Gillray, 1756–1815
The Sick Prince
1787
51
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
52
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
53
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
54
James Gillray, 1756–1815
The Tottering Pyramid
1784
55
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
56
James Gillray, 1756–1815
The Republican - Attack
1795
57
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
58
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
59
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
60
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
61
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
62
James Gillray, 1756–1815
Destruction of the French Collossus
1798
63
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
64
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
65
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
66
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
67
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
68
James Gillray, 1756–1815
The Bubbles of Opposition
1788
69
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
70
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
71
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
72
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
73
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
74
James Gillray, 1756–1815
John Bull Triumphant
1780
75
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
76
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
77
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
78
James Gillray, 1756–1815
The Friendly Agent
1787
79
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
80
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
81
James Gillray, 1756–1815
The Triumphant Britons
1780
82
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
83
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
84
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
85
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
86
James Gillray, 1756–1815
Jack A Both Sides!
1783
87
James Gillray, 1756–1815
Evacuation Before Resignation
1782
88
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
89
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
90
James Gillray, 1756–1815
Le Coup de Maitre
1797
91
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
92
James Gillray, 1756–1815
The Lover's Dream
1795
93
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
94
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
95
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
96
James Gillray, 1756–1815
Copenhagen House
1795
97
James Gillray, 1756–1815
Presages of the Millenium
1795
98
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
99
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
100
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford