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Materials & Techniques graphite

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Genre marine art

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No cover image available
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1925
Materials & Techniques:
Etching and drypoint with graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 14 5/8 inches (24.7 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint, graphite and white chalk; engraver's proof (b), touched on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:
Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint, with graphite, white chalk, and scraping out; engraver's proof (c), touched proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Fisher, 1806–1851
Date:
between 1821 and 1851
Materials & Techniques:
Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Dover

No cover image available
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Mezzotint, etching, graphite, and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund