Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
203
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
204
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
205
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
206
James Gillray, 1756–1815
A Uniform Whig ---
1791
207
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
208
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
209
James Gillray, 1756–1815
The Royal Academy
1786
210
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
211
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
212
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
213
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
214
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
215
James Gillray, 1756–1815
The Friendly Agent
1787
216
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
217
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
218
James Gillray, 1756–1815
The Triumphant Britons
1780
219
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
220
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
221
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
222
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
223
James Gillray, 1756–1815
Destruction of the French Collossus
1798
224
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
225
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
226
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
227
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
228
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
229
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
230
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
231
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
232
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
233
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
234
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
235
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
236
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
237
James Gillray, 1756–1815
A Man of Importance
1799
238
James Gillray, 1756–1815
Independence
1799
239
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
240
James Gillray, 1756–1815
A Portrait ------------
1799
241
James Gillray, 1756–1815
A Hackney Meeting
1796
242
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
243
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
244
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
245
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
246
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
247
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
248
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
249
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
250
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
251
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
252
James Gillray, 1756–1815
John Bull Triumphant
1780
253
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
254
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
255
James Gillray, 1756–1815
Jack A Both Sides!
1783
256
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
257
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
258
James Gillray, 1756–1815
The Republican - Attack
1795
259
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
260
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
261
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
262
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
263
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
264
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
265
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
266
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
267
James Gillray, 1756–1815
Patience on a Monument
1791
268
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
269
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
270
James Gillray, 1756–1815
The Bubbles of Opposition
1788
271
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
272
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
273
James Gillray, 1756–1815
Scene le Vrog House
1782
274
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
275
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
276
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
277
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
278
James Gillray, 1756–1815
Gentle Emetic
1804
279
James Gillray, 1756–1815
Charming-well again
1804
280
James Gillray, 1756–1815
Breathing a vein
1804
281
James Gillray, 1756–1815
Taking Physick
1800
282
James Gillray, 1756–1815
Wha Wants Me?
1792
283
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
284
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
285
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
286
James Gillray, 1756–1815
Light Expelling Darkness
1795
287
James Gillray, 1756–1815
The Pigs Possessed
1807
288
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
289
James Gillray, 1756–1815
New Morality
1798
290
James Gillray, 1756–1815
Doublûres of Characters
1798
291
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
292
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
293
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
294
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
295
James Gillray, 1756–1815
Tales of wonder
1802
296
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable