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Collection Prints and Drawings

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Joseph Mallord William Turner Carisbrooke Castle

after Joseph Mallord William Turner, 1775–1851

Carisbrooke Castle

Joseph Mallord William Turner Dover Harbour

after Joseph Mallord William Turner, 1775–1851

Dover Harbour

Joseph Mallord William Turner High Street, Oxford

after Joseph Mallord William Turner, 1775–1851

High Street, Oxford

Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

Joseph Mallord William Turner The Fighting "Temeraire"

after Joseph Mallord William Turner, 1775–1851

The Fighting "Temeraire"

George Romney Figure Composition Study 20

George Romney, 1734–1802

Figure Composition Study 20

undated

William Blake Beggar's Opera, Act III

William Blake, 1757–1827

Beggar's Opera, Act III

1790

William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'

William Blake, 1757–1827

Plate 33 (page 72): 'And vapid; sense and reason shew the door'

1797

William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

William Blake, 1757–1827

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

1797

William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

William Blake, 1757–1827

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

1797

William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

William Blake, 1757–1827

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

1797

William Blake Plate 9 (page 15):' The longest night though longer far, would fail'

Engravings by William Blake, 1757–1827

Plate 9 (page 15):' The longest night though longer far, would fail'

1797

William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

William Blake, 1757–1827

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

1797

William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

William Blake, 1757–1827

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

1797

William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

William Blake, 1757–1827

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

1797

William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'

William Blake, 1757–1827

Plate 22 (page 40): ' Angels should paint it, angels ever there'

1797

William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

William Blake, 1757–1827

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

1797

William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

William Blake, 1757–1827

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

1797

William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

William Blake, 1757–1827

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

1797

William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

William Blake, 1757–1827

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

1797

William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

William Blake, 1757–1827

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

1797

William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

William Blake, 1757–1827

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

1797

William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'

William Blake, 1757–1827

Plate 37 (page 86): 'His hand the good man fastens on the skies'

1797

William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'

William Blake, 1757–1827

Plate 41 (page 92): 'When faith is virtue, reason makes it so'

1797

William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

William Blake, 1757–1827

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

1797

William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

William Blake, 1757–1827

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

1797

William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'

William Blake, 1757–1827

Plate 21 (page 37): 'Love, and love only, is the loan for love'

1797

William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

William Blake, 1757–1827

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

1797

William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

William Blake, 1757–1827

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

1797

William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

William Blake, 1757–1827

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

1797

William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'

William Blake, 1757–1827

Plate 3 (page 4): 'What, though my soul fantastick measures trod'

1797

William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

William Blake, 1757–1827

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

1797

William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'

William Blake, 1757–1827

Plate 7 (page 12): 'Its favours here are trials, not rewards'

1797

William Blake Plate 8 (page 13): 'The present moment terminates our sight'

William Blake, 1757–1827

Plate 8 (page 13): 'The present moment terminates our sight'

1797

William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

William Blake, 1757–1827

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

1797

William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

William Blake, 1757–1827

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

1797

William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

William Blake, 1757–1827

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

1797

William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

William Blake, 1757–1827

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

1797

William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'

William Blake, 1757–1827

Plate 6 (page 10): 'Disease invades the chastest temperence'

1797

William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

William Blake, 1757–1827

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

1797

William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'

William Blake, 1757–1827

Plate 12 (page 19): 'Emblem of that which shall awake the dead'

1797

William Blake Plate 13 (page 23): 'We censure nature for a span too short'

Engravings by William Blake, 1757–1827

Plate 13 (page 23): 'We censure nature for a span too short'

1797

William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'

William Blake, 1757–1827

Plate 15 (page 25): 'Behold him, when past by; what then is seen'

1797

William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

William Blake, 1757–1827

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

1797

William Blake May-Day in London

William Blake, 1757–1827

May-Day in London

1784

William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

William Blake, 1757–1827

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

1797

William Blake "The Book of Thel William Blake Original Wrappers 1789"

William Blake, 1757–1827

"The Book of Thel William Blake Original Wrappers 1789"

1789

Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

1802

unknown artist Map of Bridewell and it's Locality, A.D. 1666

unknown artist

Map of Bridewell and it's Locality, A.D. 1666

undated

Bartholomew Howlett N.W View of the Chapel and Part of the Great Stair-Case Leading to the Hall of Bridewell Hospital, London

Bartholomew Howlett, 1767–1827

N.W View of the Chapel and Part of the Great Stair-Case Leading to the Hall of Bridewell Hospital, London

1813

unknown artist The Prospect of Bridewell. 1755

unknown artist

The Prospect of Bridewell. 1755

John Thomas Smith Inside View of the Poultry Compter

John Thomas Smith, 1766–1833

Inside View of the Poultry Compter

1811

unknown artist The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob

unknown artist

The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob

1780

Richard Gilson Reeve Malmsbury Abbey

Print made by Richard Gilson Reeve, 1803–1889

Malmsbury Abbey

1809

Robert Brandard Château Hamelin

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

William Miller Between Clairmont and Mauves

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Robert Wallis Château de Nantes

Print made by Robert Wallis, 1794–1878

Château de Nantes

1833

James T. Willmore Clairmont

Print made by James T. Willmore, 1800–1863

Clairmont

1833

Robert Brandard Between Quileboeuf and Villequier

Print made by Robert Brandard, 1805–1862

Between Quileboeuf and Villequier

1834

Robert Wallis Coteaux de Mauves

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1833

Robert Wallis Scene on the Loire

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

S. Fisher Bridge of St. Cloud from Sevres

Print made by S. Fisher, active 1831–1844

Bridge of St. Cloud from Sevres

1835

Thomas Jeavons Hotel de Ville and Pont d'Arcole

Print made by Thomas Jeavons, ca. 1800–1867

Hotel de Ville and Pont d'Arcole

1835

Carington Bowles Pascal Paoli

Carington Bowles, 1724–1793

Pascal Paoli

unknown artist North West View of Wrexham Church

unknown artist

North West View of Wrexham Church

1824

James Bretherton Riding School

James Bretherton, ca. 1730–1806

Riding School

W. R. Smith Roslin Castle

Print made by W. R. Smith, active 1819–1851

Roslin Castle

1834

James H. Kernot Wolf's Hope

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1843

William Miller Scott's Birthplace, no. 39, Castle Street, Edinburgh

Print made by William Miller, 1796–1882

Scott's Birthplace, no. 39, Castle Street, Edinburgh

1839

Richard Earlom A Blacksmith's Shop

Print made by Richard Earlom, 1743–1822

A Blacksmith's Shop

1771

Richard Earlom Hippolytus

Richard Earlom, 1743–1822

Hippolytus

1796

Joseph C. Bentley Rievaulx Abbey

Print made by Joseph C. Bentley, 1809–1851

Rievaulx Abbey

1834-1836

William Miller Abbotsford from the Northern Bank of the Tweed

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Robert Brandard Mustering of the Warrior Angels (Vignette)

Print made by Robert Brandard, 1805–1862

Mustering of the Warrior Angels (Vignette)

1835

W. Floyd Fish Market, Rotterdam

Print made by W. Floyd, active 1845

Fish Market, Rotterdam

1834-1836

Frederick Bacon The Temptation on the Pinnacle (Vignette)

Print made by Frederick Bacon, 1803–1887

The Temptation on the Pinnacle (Vignette)

1835

Edward Goodall The Fall of the Rebel Angels (Vignette)

Print made by Edward Goodall, 1795–1870

The Fall of the Rebel Angels (Vignette)

1835

Edward Goodall The Expulsion from Paradise (Vignette)

Print made by Edward Goodall, 1795–1870

The Expulsion from Paradise (Vignette)

1835

William Thomas Fry The Honors Paid Raphael after his Death

William Thomas Fry, 1789–1843

The Honors Paid Raphael after his Death

John Cousen Niagara / Horseshoe Fall and the Table Rock - seen from below

John Cousen, 1804–1880

Niagara / Horseshoe Fall and the Table Rock - seen from below

John Cousen Niagara / Horseshoe Fall and Table Rock - seen from below

John Cousen, 1804–1880

Niagara / Horseshoe Fall and Table Rock - seen from below

John Cousen Island in the Hudson River

John Cousen, 1804–1880

Island in the Hudson River

Charles Heath Home

Charles Heath, 1785–1848

Home

Thomas Shotter Boys Claude

Thomas Shotter Boys, 1803–1874

Claude

Charles Heath This is my Wife said Edward

Charles Heath, 1785–1848

This is my Wife said Edward

Charles Heath Coquetry, Gravity and Gaiety

Charles Heath, 1785–1848

Coquetry, Gravity and Gaiety

William Thomas Fry Thomas Moore, Esq.

William Thomas Fry, 1789–1843

Thomas Moore, Esq

1822

William Humphrys The Brigand

William Humphrys, 1794–1865

The Brigand

Charles John Smith The Scarborough Cliff Bridge

Charles John Smith, 1803–1838

The Scarborough Cliff Bridge

R. Martin The Old Grammar School, Beverly, 1829

R. Martin, active 1823–1840

The Old Grammar School, Beverly, 1829

1829

Charleton Nesbit Money Broker

Charleton Nesbit, 1775–1838

Money Broker

William Lee Hankey Sur le Terrain

William Lee Hankey, 1869–1952

Sur le Terrain

1919

Charles E. Holloway The Tower of London

Charles E. Holloway, 1838–1897

The Tower of London

1884

John Baptist Jackson The Rich Man and Lazarus

Print made by John Baptist Jackson, 1701–1780

The Rich Man and Lazarus

1743

Robert Laurie Amelia Surprising Her Husband and Miss Matthews

Robert Laurie, 1755?–1836

Amelia Surprising Her Husband and Miss Matthews

1790

Ernest Stephen Lumsden The Bathers

Print made by Ernest Stephen Lumsden, 1883–1948

The Bathers

1919

Charles Oliver Murray Sir Walter Scott's Tomb

Charles Oliver Murray, 1842–1923

Sir Walter Scott's Tomb

Paul Sandby A View of the Falls of the Passaic . . .

Print made by Paul Sandby, 1731–1809

A View of the Falls of the Passaic . .

undated

Benjamin Smith The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")

Benjamin Smith, 1775–1833

The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")

1799

unknown artist Her Majesty Queen Victoria and Royal Family

unknown artist

Her Majesty Queen Victoria and Royal Family

1877