Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
202
James Gillray, 1756–1815
The Lover's Dream
1795
203
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
204
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
205
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
206
James Gillray, 1756–1815
What a Cur ' tis
1795
207
James Gillray, 1756–1815
Love's Last Shift
1787
208
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
209
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
210
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
211
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
212
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
213
James Gillray, 1756–1815
The Bottomless-Pitt
1792
214
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
215
James Gillray, 1756–1815
Wha Wants Me?
1792
216
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
217
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
218
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
219
James Gillray, 1756–1815
The Tottering Pyramid
1784
220
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
221
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
222
James Gillray, 1756–1815
Hounds in Full-Cry
1800
223
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
224
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
225
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
226
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
227
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
228
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
229
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
230
James Gillray, 1756–1815
French Liberty - British Slavery
1792
231
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
232
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
233
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
234
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
235
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
236
James Gillray, 1756–1815
The Introduction
1791
237
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
238
James Gillray, 1756–1815
Ancient Music
1787
239
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
240
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
241
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
242
James Gillray, 1756–1815
Malagrida, Driving Post
243
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
244
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
245
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
246
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
247
James Gillray, 1756–1815
Destruction of the French Collossus
1798
248
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
249
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
250
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
251
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
252
James Gillray, 1756–1815
Patience on a Monument
1791
253
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
254
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
255
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
256
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
257
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
258
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
259
James Gillray, 1756–1815
A Uniform Whig ---
1791
260
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
261
James Gillray, 1756–1815
The Royal Academy
1786
262
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
263
James Gillray, 1756–1815
The Bubbles of Opposition
1788
264
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
265
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
266
James Gillray, 1756–1815
The Friendly Agent
1787
267
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
268
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
269
James Gillray, 1756–1815
The Triumphant Britons
1780
270
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
271
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
272
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
273
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
274
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
275
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
276
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
277
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
278
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
279
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
280
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
281
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
282
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
283
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
284
James Gillray, 1756–1815
A Morning Ride
1804
285
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
286
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
287
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
288
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
289
James Gillray, 1756–1815
National Discourse
1780
290
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
291
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
292
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
293
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
294
James Gillray, 1756–1815
Taking Physick
1800
295
James Gillray, 1756–1815
Wha Wants Me?
1792
296
James Gillray, 1756–1815
Gentle Emetic
1804
297
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering