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William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
Hamlet Winstanley Sketchbook containing 81 drawings and 2 engravings of self-portraits
Hamlet Winstanley, 1698–1756
Sketchbook containing 81 drawings and 2 engravings of self-portraits
1715 to 1720
Benjamin West Sketchbook of Figure and Composition Studies
Benjamin West, 1738–1820
Sketchbook of Figure and Composition Studies
Benjamin West Sketchbook of Figure, Landscape and Animal Studies
Benjamin West, 1738–1820
Sketchbook of Figure, Landscape and Animal Studies
Harriet Hunter The Port of Wisbech, Cambridgeshire
Harriet Hunter
The Port of Wisbech, Cambridgeshire
1840
James Heath Abou Hannes
James Heath, 1757–1834
Abou Hannes
1789
James Heath Sheregrig
James Heath, 1757–1834
Sheregrig
1789
James Heath Examples of Ceremonial Dress of Soldiers
James Heath, 1757–1834
Examples of Ceremonial Dress of Soldiers
1789
Luigi Balugani Paesto 2nd period
Luigi Balugani, 1737–1770
Paesto 2nd period
Luigi Balugani Paesto 3rd period
Luigi Balugani, 1737–1770
Paesto 3rd period
Archibald Robertson No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
1796
Archibald Robertson No. 3 and 4 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No. 3 and 4 in the 8 stages of growth of the Surinam Frog
1796
Archibald Robertson No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
1796
James Heath Rhinoceros of Africa
James Heath, 1757–1834
Rhinoceros of Africa
1789
Archibald Robertson No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
1769
James Heath Fennec
James Heath, 1757–1834
Fennec
1789
James Heath Ashkoko
James Heath, 1757–1834
Ashkoko
1789
James Heath Jerboa
James Heath, 1757–1834
Jerboa
1789
James Heath Tsaltsalya / El Adda
James Heath, 1757–1834
Tsaltsalya / El Adda
1789
James Heath Tortoise
Print made by James Heath, 1757–1834
Tortoise
1789
James Heath Cerastes
James Heath, 1757–1834
Cerastes
1789
James Heath Abba Gumba
James Heath, 1757–1834
Abba Gumba
1789
James Heath Nisser Werk
James Heath, 1757–1834
Nisser Werk
1789
James Heath Mikeas
James Heath, 1757–1834
Mikeas
1789
James Clarke Hook A Few Minutes to Wait before Twelve O'Clock
James Clarke Hook, 1819–1907
A Few Minutes to Wait before Twelve O'Clock
ca. 1854
Thomas Milton Lucan-House
Thomas Milton, 1742/1743–1827
Lucan-House
1783
Isaac Johnson Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)
Isaac Johnson, 1754–1835
Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)
undated
James Bruce No. 1 Temple of Ceres Legitera
James Bruce, 1730–1794
No. 1 Temple of Ceres Legitera
James Bruce No. 3 Minerva Polias and Neptune the King
James Bruce, 1730–1794
No. 3 Minerva Polias and Neptune the King
James Bruce Title page for a set of drawings entitled "The Ruins of Paesto"
James Bruce, 1730–1794
Title page for a set of drawings entitled "The Ruins of Paesto"
Luigi Balugani Paesto 2nd period
Luigi Balugani, 1737–1770
Paesto 2nd period
Luigi Balugani Posidonia: 1st period
Luigi Balugani, 1737–1770
Posidonia: 1st period
Luigi Balugani Posidonia 1st period
Luigi Balugani, 1737–1770
Posidonia 1st period
Luigi Balugani Graphite drawing of 6 coins
Luigi Balugani, 1737–1770
Graphite drawing of 6 coins
Luigi Balugani Coins of Juba I and II
Luigi Balugani, 1737–1770
Coins of Juba I and II
Luigi Balugani Paesto 3rd period
Luigi Balugani, 1737–1770
Paesto 3rd period
Luigi Balugani Coins of Juba II and Ptolemay [sic]
Luigi Balugani, 1737–1770
Coins of Juba II and Ptolemay [sic]
Luigi Balugani Folia Prima
Luigi Balugani, 1737–1770
Folia Prima
unknown artist Pearls
unknown artist
Pearls
1789
James Heath Lynx
James Heath, 1757–1834
Lynx
1789
James Heath Hyoena
James Heath, 1757–1834
Hyoena
1790
James Heath Binny
James Heath, 1757–1834
Binny
1790
James Heath Nisser Tokoor
James Heath, 1757–1834
Nisser Tokoor
1789
James Heath Canja Undersail
James Heath, 1757–1834
Canja Undersail
1789
James Heath Rachamah
James Heath, 1757–1834
Rachamah
1790
James Heath Painting in Fresco in the Sepulchres of Thebes
James Heath, 1757–1834
Painting in Fresco in the Sepulchres of Thebes
1789
James Heath Arab Shekh, Tribe Beni Koreish
James Heath, 1757–1834
Arab Shekh, Tribe Beni Koreish
1789
James Heath Statue of a Man
James Heath, 1757–1834
Statue of a Man
ca. 1804
James Heath Painting in the Sepulchres of Thebes
James Heath, 1757–1834
Painting in the Sepulchres of Thebes
1789
James Heath Section of the Canja
James Heath, 1757–1834
Section of the Canja
1789
James Heath Arab of Loheia, Tribe Beni Koreish
James Heath, 1757–1834
Arab of Loheia, Tribe Beni Koreish
1789
James Heath Obelisk at Axum
James Heath, 1757–1834
Obelisk at Axum
1789
James Heath No. 1 - A Table of Hieroglyphics found at Axum
James Heath, 1757–1834
No. 1 - A Table of Hieroglyphics found at Axum
1771-1789
James Heath No. 2 A Table of Heiroglyphics found at Axum
James Heath, 1757–1834
No. 2 A Table of Heiroglyphics found at Axum
1771-1789
James Heath Bee Cuckoo
James Heath, 1757–1834
Bee Cuckoo
1790
unknown artist Plan of the First Battle of Serbraxos Fought 16 May 1772
unknown artist
Plan of the First Battle of Serbraxos Fought 16 May 1772
James Basire the younger Seals of Whalley Abbey
Print made by James Basire the younger, 1769–1822
Seals of Whalley Abbey
1800
Edward Goodall Keswick Lake
Print made by Edward Goodall, 1795–1870
Keswick Lake
1834
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
Robert Brandard Gasport, Entrance to Portsmouth Harbor
Print made by Robert Brandard, 1805–1862
Gasport, Entrance to Portsmouth Harbor
1831
W. R. Smith Lowestoffe, Suffolk
Print made by W. R. Smith, active 1819–1851
Lowestoffe, Suffolk
1837
Robert Brandard St. Florent
Print made by Robert Brandard, 1805–1862
St. Florent
1833
Robert Wallis Château de Nantes
Print made by Robert Wallis, 1794–1878
Château de Nantes
1833
Robert Brandard Graville
Print made by Robert Brandard, 1805–1862
Graville
1834
Edward Goodall The Last Man (vignette)
Print made by Edward Goodall, 1795–1870
The Last Man (vignette)
1837
Edward Goodall Gertrude of Wyoming - the Valley
Print made by Edward Goodall, 1795–1870
Gertrude of Wyoming - the Valley
1837
Edward Goodall Rolandseck
Print made by Edward Goodall, 1795–1870
Rolandseck
1837
Edward Goodall The Soldier's Dream (vignette)
Print made by Edward Goodall, 1795–1870
The Soldier's Dream (vignette)
1837
Edward Goodall The Beech Tree's Petition
Print made by Edward Goodall, 1795–1870
The Beech Tree's Petition
1837
Edward Goodall Gertrude of Wyoming - the Waterfall
Print made by Edward Goodall, 1795–1870
Gertrude of Wyoming - the Waterfall
1837
Edward Goodall The Death Boat of Heligoland
Print made by Edward Goodall, 1795–1870
The Death Boat of Heligoland
1837
Edward Goodall Camp Hill, Hastings
Print made by Edward Goodall, 1795–1870
Camp Hill, Hastings
1837
Edward Goodall The Garden
Print made by Edward Goodall, 1795–1870
The Garden
1839
Edward Goodall Ehrenbreitstein (Vignette)
Print made by Edward Goodall, 1795–1870
Ehrenbreitstein (Vignette)
1837