Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
208
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
209
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
210
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
211
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
212
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
213
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
214
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
215
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
216
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
217
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
218
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
219
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
220
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
221
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
222
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
223
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
224
William Blake, 1757–1827
Beggar's Opera, Act III
1790
225
William Blake, 1757–1827
May-Day in London
1784
226
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
227
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
228
unknown artist
Volume of 21 watercolors and two hand touched lithographs of continental scenes
229
Capt. Thomas Hastings, 1778–1854
38 Sketches in Cumberland, Westmoreland, etc
1834 to 1846
230
John Preston Neale, 1771/80–1847
The Quadrangle of the Royal Exchange
undated
231
William Watts, 1752–1851
Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew
1782
232
Harriet Hunter
The Port of Wisbech, Cambridgeshire
1840
233
unknown artist
This Typographic Specimen to the Memory of William Caxton
234
unknown artist
The Kingdom's Martyr - Sir Edmund Burie Godfrey
1678
235
unknown artist
[Trade Card] W. Lowe, Foreign & English Toy Warehouse
undated
236
Joseph Constantine Stadler, active 1780–1812
South View of the New Custom House
1817
237
unknown artist
Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
undated
238
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
239
Pierre Charles Canot, ca. 1710–1777
Near Plymouth with the Ordinance Wharfe..
1756
240
Charles J. Hullmandel, 1789–1850
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
241
Francis Jukes, 1747–1812
Perspective view of the Crescent now erecting near the town of Birmingham
1804
242
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)
1817
243
William Henry Brooke, 1772–1860
Herstmonceux Castle from the Southwest
undated
244
unknown artist
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
245
unknown artist
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
246
unknown artist
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
247
Henry Kingsbury, active 1750–1780
The Beggar and his Dog
248
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
249
Capt. Thomas Hastings, 1778–1854
Sketches in Ireland; Killarney & Neighbourhood
1841
250
Thomas Worlidge, 1700–1766
Self Portrait
1752
251
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Clouds
252
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rough Sketch of Mountains
253
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies
254
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Slight Sketch of Rocks and Leaves
255
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Slight Sketch of Mountains and Trees
256
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Rocks and Shrubs
257
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of a Large Tree
258
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Mountains and Clouds
259
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Two Men in Theatrical Costumes
260
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Drawings: Sketch of Clouds
261
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Buildings
262
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Facade of a House and Sketch of a Man With a Cane
263
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketches of Waves, Buildings, Trees/Two Profiles
264
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Face of a Young Man
265
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of a Young Man (short list, mathematical calculations scribbled on right side of sheet)
266
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketches of a Man's face (illegible jottings in brown ink, crossed out)
267
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Hounds Chasing a Hare
268
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Shrubbery
269
John Maurer, active 1713–1761
The Mansion House
1750
270
Hamlet Winstanley, 1698–1756
Sketchbook containing 81 drawings and 2 engravings of self-portraits
1715 to 1720
271
James Bruce, 1730–1794
No. 1 Temple of Ceres Legitera
272
James Bruce, 1730–1794
Title page for a set of drawings entitled "The Ruins of Paesto"
273
James Bruce, 1730–1794
No. 3 Minerva Polias and Neptune the King
274
Luigi Balugani, 1737–1770
Posidonia: 1st period
275
Luigi Balugani, 1737–1770
Graphite drawing of 6 coins
276
Luigi Balugani, 1737–1770
Posidonia 1st period
277
Luigi Balugani, 1737–1770
Coins of Juba I and II
278
Luigi Balugani, 1737–1770
Coins of Juba II and Ptolemay [sic]
279
Luigi Balugani, 1737–1770
Folia Prima
280
Archibald Robertson, 1748–1788
No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
1796
281
James Heath, 1757–1834
Hyoena
1790
282
James Heath, 1757–1834
Lynx
1789
283
James Heath, 1757–1834
Jerboa
1789
284
James Heath, 1757–1834
Fennec
1789
285
James Heath, 1757–1834
Ashkoko
1789
286
James Heath, 1757–1834
Tsaltsalya / El Adda
1789
287
James Heath, 1757–1834
Binny
1790
288
Print made by James Heath, 1757–1834
Tortoise
1789
289
James Heath, 1757–1834
Cerastes
1789
290
James Heath, 1757–1834
Abba Gumba
1789
291
James Heath, 1757–1834
Nisser Werk
1789
292
James Heath, 1757–1834
Nisser Tokoor
1789
293
James Heath, 1757–1834
Arab of Loheia, Tribe Beni Koreish
1789
294
unknown artist
Plan of the First Battle of Serbraxos Fought 16 May 1772
295
Luigi Balugani, 1737–1770
Paesto 2nd period
296
Luigi Balugani, 1737–1770
Paesto 2nd period
297
Luigi Balugani, 1737–1770
Paesto 3rd period
298
Luigi Balugani, 1737–1770
Paesto 3rd period
299
Archibald Robertson, 1748–1788
No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
1796
300
Archibald Robertson, 1748–1788
No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog