Period: 18th century / Creator: Blake, William, 1757–1827 - YCBA Collections Search Search Results

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

1797

William Blake, 1757–1827

Original Wrapper to The Book of Thel

1789

Print made by William Blake, 1757–1827

Beggar's Opera, Act III

1790

Print made by William Blake, 1757–1827

May-Day in London

1784

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

Print made by James Basire, Sr., British, 1730 - 1802

The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I

1780

Print made by James Basire, Sr., British, 1730 - 1802

Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI

1780

Print made by James Basire, Sr., British, 1730 - 1802

The North Front of the Monument of King Sebert, Plate IV

1780

Print made by James Basire, Sr., British, 1730 - 1802

The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III

1780

Print made by James Basire, Sr., British, 1730 - 1802

The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII

1780

Print made by James Basire, Sr., British, 1730 - 1802

The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II

1780

Print made by James Basire, Sr., British, 1730 - 1802

The Figures Supposed to be those of King Sebert and King Henry III, Plate V

1780

Print made by William Blake, 1757–1827

Love Songs, Class IV. Headpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class IV. Tailpiece

1783

Print made by William Blake, 1757–1827

Drinking Songs, Headpiece

1783

Print made by William Blake, 1757–1827

Miscellaneous Songs, Headpiece

1783

Print made by William Blake, 1757–1827

Miscellaneous Songs, Tailpiece

1783

Print made by William Blake, 1757–1827

Ancient Ballads, Headpiece

1783

Print made by William Blake, 1757–1827

Ancient Ballads, Tailpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class I. Headpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class I. Tailpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class II. Headpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class III. Headpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class III. Tailpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class V. Headpiece

1783

Print made by William Blake, 1757–1827

Drinking Songs, Tailpiece

1783

Print made by William Blake, 1757–1827

Love Songs, Class II. Tailpiece

1783

Print made by unknown artist

Gymnastics for Youth, Frontispiece

1800

Print made by unknown artist

The Leap in Height, with & without a Pole

1800

Print made by unknown artist

Running & Leap-frog

1800

Print made by unknown artist

The Different Kinds of Wrestling

1800

Print made by unknown artist

Climbing

1800

Print made by unknown artist

Trundling a Hoop &c

1800

Print made by unknown artist

Preservation of Equilibrium

1800

Print made by unknown artist

Bathing & Swimming

1800

Print made by unknown artist

The Leap in Length, with & without a Pole

1800

Print made by unknown artist

Throwing & Shooting at a Mark

1800

Prints made by George Cumberland, 1754–1848

Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists in Composing their Figures and Groupes

1796

Text by Joseph Ritson, 1752–1803

Ritson's 'A Select Collection of English Songs', Volume I

1783

Text by Christian Gotthilf Salzmann, 1744–1811

Gymnastics for Youth, or a Practical Guide to Healthful and Amusing Exercises

1800

Blake, William, 1757–1827

William Blake's water-colour designs for the poems of Thomas Gray

1972

Blake, William, 1757–1827

Songs of innocence and of experience

c1991

Blake, William, 1757–1827

Poetical sketches

1926

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Period 18th century

Creator Blake, William, 1757–1827

Height [cm] Unknown

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Period 18th century

Creator Blake, William, 1757–1827

Height [cm] Unknown

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