Creator Gender: male / Period: 19th century / Image Available: Unavailable

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

William Blake, 1757–1827

Illustrations of the Book of Job [in twenty-one plates]

J. J. Rurie, active 1843

Two Men in Brown Coats

unknown artist

Plan of the Island and Harbour of Masuah

Print made by G. Presbury, active 1823–1845

The Distressed Poet

G. Presbury, active 1823–1845

The Election. Plate 3. The polling

G. Presbury, active 1823–1845

The Election. Plate 3. The polling

Chavane, active ca. 1850

Hymen and Cupid

Alfred-Louis Brunet-Debaines, 1845–ca. 1935

Bolton Priory

Alfred-Louis Brunet-Debaines, 1845–ca. 1935

Whitby

John Calcott Horsley, 1817–1903

Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4

John Frederick Tayler, 1802–1889

Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8

James Clarke Hook, 1819–1907

Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11

Richard Ansdell, 1815–1885

Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10

James Clarke Hook, 1819–1907

Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18

Charles West Cope, 1811–1890

Etchings for the Art Club of London by the Etching Club: Summer Dreams, Number 20

Richard James Lane, 1800–1872

Mrs. John Kemble

Richard James Lane, 1800–1872

The Origin of a Painter (Volume of 102 lithographs)

Richard James Lane, 1800–1872

Seated Woman Reading (Volume of 102 lithographs)

Richard James Lane, 1800–1872

Miss Love as a Broom Girl (Volume of 102 lithographs)

Print made by William Sharp, active 1819–ca. 1837

Miss Fanny Kemble (Volume of 102 Lithographs)

Print made by William Sharp, active 1819–ca. 1837

Italian Boy (Volume of 102 Lithographs)

Print made by William Sharp, active 1819–ca. 1837

The Playfellows (Volume of 102 Lithographs)

Henry Melville, active 1826–1841

House of Commons, Destroyed by Fire, Oct. 16th 1834

Thomas Lound, 1802–1861

Sketchbook containing one watercolor and sketches in graphite of boats

Decimus Burton, 1800–1881

Panorama for an Estate

J. J. Rurie, active 1843

Two Men in Top Hats

J. J. Rurie, active 1843

Two Figures

J. J. Rurie, active 1843

Six Prisoners

J. J. Rurie, active 1843

Prisonyard with Figures and Waterpump

J. J. Rurie, active 1843

Three Men

J. J. Rurie, active 1843

Five Prisoners

J. J. Rurie, active 1843

Prisoners

J. J. Rurie, active 1843

Prison Buildings

Decimus Burton, 1800–1881

Two Panoramas for an Estate

James Thomson, 1800–1883

Drawings of Grittleton (A Volume)

Robert William Billings, 1813–1874

Fourteen Drawings of Elgin Spynie and the Parliament House. A Volume

William Brockedon, 1787–1854

Landscape with Grazing Cows and Watermill

William Brockedon, 1787–1854

Hilly Landscape with Horse-Drawn Cart in Foreground

William Brockedon, 1787–1854

Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside

William Brockedon, 1787–1854

Mountainous Sketch

William Brockedon, 1787–1854

Three Figures Illuminated in Dark Scene

William Brockedon, 1787–1854

Landscape with Crumbling Building atop a Cliff

William Brockedon, 1787–1854

Landscape of Steep Hills with Building on one Summit

William Brockedon, 1787–1854

Mountain Landscape with Building on one Peak

William Brockedon, 1787–1854

Grassy Ravine with Grazing Sheep

William Brockedon, 1787–1854

Hillside Entrance to a Mine, with Figure Standing in Front

William Brockedon, 1787–1854

Landscape with Houses set at the Foot of Hills

William Brockedon, 1787–1854

Hillside Landscape with River Winding Around Bottom

William Brockedon, 1787–1854

Two Sketches of Mountains

William Brockedon, 1787–1854

View up a River at the Base of a Steep Mountain Range

William Brockedon, 1787–1854

Step Mountain Landscape with Prominent Pine Tree

William Brockedon, 1787–1854

Faint Sketch of Mountains and Ravines

William Brockedon, 1787–1854

Faint Sketch of Mountains

William Brockedon, 1787–1854

Full-length Portrait of Man Holding a Top Hat and Walking Stick

William Brockedon, 1787–1854

Faint landscape Sketch

Robert H. Burden, fl.1850–1890

Three Studies of Colored Glass in St. Pierre, Chartres, on One Paper

William Brockedon, 1787–1854

Landscape with Houses Set into a Hillside

William Brockedon, 1787–1854

Cityscape from a Distance, with Church Towers and Smokestacks

William Brockedon, 1787–1854

Mountain Landscape with Building on one Peak

William Brockedon, 1787–1854

Sketch of Mountains, with House in the Foreground on right

William Brockedon, 1787–1854

Coal Mining Posts and Houses Set Against a Dark Mountainside

Robert H. Burden, fl.1850–1890

Crucifixion in Colored Window, Chartres

Robert H. Burden, fl.1850–1890

Drawing of Carved Tomb, Amiens

Robert H. Burden, fl.1850–1890

Five Studies of Colored Glass Borders

Robert H. Burden, fl.1850–1890

Crucifixion in Stained Glass, Chartres

Thomas Hosmer Shepherd, 1792–1864

[One from] A Series of 41 drawings to illustrate the work "London in the Nineteenth Century"

Henry Roberts, 1803–1876

House with walled garden and tilled fields around

William Walker, 1791–1867

Henry Raeburn

J. M. Kronheim, 1810–1896

Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before color printing

J. M. Kronheim, 1810–1896

Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before color printing

J. M. Kronheim, 1810–1896

Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before color printing

J. M. Kronheim, 1810–1896

Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before color printing

Myles Birket Foster, 1825–1899