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Credit Line Yale Center for British Art, Paul Mellon Fund

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Myles Birket Foster Page 8: Study of a Rural Landscape
Myles Birket Foster, 1825–1899
Page 8: Study of a Rural Landscape
Myles Birket Foster Page 27: Landscape Study
Myles Birket Foster, 1825–1899
Page 27: Landscape Study
Myles Birket Foster Page 19
Myles Birket Foster, 1825–1899
Page 19
Myles Birket Foster Page 22: Children on a Beach
Myles Birket Foster, 1825–1899
Page 22: Children on a Beach
Myles Birket Foster Page 26: Studies of Roof, Rafters, and Round Unidentified Object
Myles Birket Foster, 1825–1899
Page 26: Studies of Roof, Rafters, and Round Unidentified Object
Myles Birket Foster Page 17
Myles Birket Foster, 1825–1899
Page 17
Samuel Fisher Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
Print made by Samuel Fisher, 1806–1851
Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore
between 1821 and 1851
John Le Keux St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
Edward Goodall Rocks at Colgong on the Ganges
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1836
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
Sir Peter Lely A Group of Thirteen Drawings of Hands
Sir Peter Lely, 1618–1680
A Group of Thirteen Drawings of Hands
1650s-1660s
John Russell A Boy Blowing Soap Bubbles
John Russell, 1745–1806
A Boy Blowing Soap Bubbles
1800
David Cox The Opening of New London Bridge
David Cox, 1783–1859
The Opening of New London Bridge
1831
Joseph Strutt America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People.
Print made by Joseph Strutt, 1749–1802
America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People
1781
John Smith Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina
Print made by John Smith, 1652–1743
Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina
1717
Lankester, Phebe, 1825-1900. Wild flowers worth notice :
Lankester, Phebe, 1825–1900
Wild flowers worth notice
1861
Spooner's transformations.
Spooner's transformations
1838 [-39]