Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
102
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
103
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
104
James Gillray, 1756–1815
What a Cur ' tis
1795
105
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
106
James Gillray, 1756–1815
Love's Last Shift
1787
107
James Gillray, 1756–1815
The Prodigal Son
1787
108
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
109
James Gillray, 1756–1815
The Royal Society
1786
110
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
111
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
112
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
113
James Gillray, 1756–1815
Les Trois Magots
1791
114
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
115
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
116
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
117
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
118
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
119
James Gillray, 1756–1815
Hounds Throwing-Off
1800
120
James Gillray, 1756–1815
Coming-In at the Death
1800
121
James Gillray, 1756–1815
Hounds in Finding
1800
122
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
123
James Gillray, 1756–1815
Wouski
1788
124
James Gillray, 1756–1815
The Injured Countess
1786-1788
125
James Gillray, 1756–1815
Gillray Caricatures
126
James Gillray, 1756–1815
The Castle in the Moon
1782
127
James Gillray, 1756–1815
Junction of Parties
1783
128
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
129
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
130
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
131
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
132
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
133
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
134
James Gillray, 1756–1815
The Fall of Phaeton
1788
135
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
136
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
137
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
138
James Gillray, 1756–1815
Patience on a Monument
1791
139
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
140
James Gillray, 1756–1815
Wha Wants Me?
1792
141
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
142
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
143
James Gillray, 1756–1815
Brisk Cathartic
1804
144
James Gillray, 1756–1815
Fashionable Jockeyship
1796
145
James Gillray, 1756–1815
National Conveniences
1796
146
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
147
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
148
James Gillray, 1756–1815
The Grand - Signior retiring
1796
149
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
150
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
151
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
152
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
153
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
154
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
155
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
156
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
157
James Gillray, 1756–1815
Playing in Parts
1801
158
James Gillray, 1756–1815
Sawney in the Bog-House
1779
159
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
160
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
161
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
162
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
163
James Gillray, 1756–1815
Duke William's Ghost
1799
164
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
165
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
166
James Gillray, 1756–1815
Evacuation of Malta
1803
167
James Gillray, 1756–1815
Palemon and Lavinia
1805
168
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
169
James Gillray, 1756–1815
Evacuation Before Resignation
1782
170
James Gillray, 1756–1815
The Republican - Attack
1795
171
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
172
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
173
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
174
James Gillray, 1756–1815
Destruction of the French Collossus
1798
175
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
176
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
177
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
178
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
179
James Gillray, 1756–1815
Independence
1799
180
James Gillray, 1756–1815
A Man of Importance
1799
181
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
182
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
183
James Gillray, 1756–1815
A Hackney Meeting
1796
184
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
185
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
186
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
187
James Gillray, 1756–1815
A Uniform Whig ---
1791
188
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
189
James Gillray, 1756–1815
The Royal Academy
1786
190
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
191
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
192
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
193
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
194
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
195
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
196
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
197
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
198
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
199
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
200
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes