Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'
1815
Not on view
202
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
203
William Aikman, 1682–1731
An Unfinished Study of the Head of James Thomson
ca. 1725
Not on view
204
Thomas Gainsborough, 1727–1788
Portrait of a Young Man with Powdered Hair
ca. 1750
Not on view
205
Jacques-Laurent Agasse, 1767–1849
A Groom Mounted on a Chestnut Hunter, He Holds a Bay Hunter by the Reins
early 19th century
Not on view
206
Henry Thomas Alken, 1785–1851
Duck Shooting
ca. 1825
Not on view
207
Henry Thomas Alken, 1785–1851
Hunting Scene: The Meet
ca. 1840
Not on view
208
Julius Caesar Ibbetson, 1759–1817
A Married Sailor's Adieu
ca. 1800
Not on view
209
Francis Wheatley, 1747–1801
Evening
1799
Not on view
210
Francis Wheatley, 1747–1801
Night
1799
Not on view
211
Benjamin West, 1738–1820
The Cave of Despair
1772
Not on view
212
Francis Wheatley, 1747–1801
Henry Addington, Later first Viscount Sidmouth
1785 to 1786
Not on view
213
Perhaps Jan van der Vaardt, 1647–1721
Bifrons Park, Kent
between 1695 and 1705
Not on view
214
Johan Joseph Zoffany, 1733–1810
Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto
ca. 1780
Not on view
215
James Ward, 1769–1859
An Overshot Mill
between 1802 and 1807
Not on view
216
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
ca. 1720
Not on view
217
James Ward, 1769–1859
The Midday Meal
ca. 1835
Not on view
218
James Holland, 1799–1870
The Lady Betty Germain Bedroom at Knole, Kent
1845
Not on view
219
John Hoppner, 1758–1810
Louisa Lane, Called 'Cecilia'
exhibited 1782
Not on view
220
Robert Smith, 1787–1873
Inside the Main Entrance of the Purana Qila, Delhi
1823
Not on view
221
George Cruikshank, 1792–1878
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
1864 to 1865
Not on view
222
Thomas Barker, 1769–1847
Man holding a staff
ca. 1800
Not on view
223
Sir William Beechey, 1753–1839
Portrait of a Girl
ca. 1790
Not on view
224
unknown artist
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
225
Thomas Stothard, 1755–1834
Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
1806
Not on view
226
John White Abbott, 1763–1851
An Italianate Landscape
ca. 1800
Not on view
227
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
ca. 1755
Not on view
228
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
229
Francis Wheatley, 1747–1801
The Oliver and Ward Families
ca. 1778
Not on view
230
Lemuel Francis Abbott, ca. 1760–1802
Admiral Lord Bridport
ca. 1795
Not on view
231
Sir William Beechey, 1753–1839
Portrait of a Boy
ca. 1790
Not on view
232
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Falstaff with the Body of Hotspur
ca. 1786
Not on view
233
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
234
unknown artist
Sir Percival Hart (1496–1580)
ca. 1565
Not on view
235
John Frederick Lewis, 1804–1876
“And the Prayer of Faith Shall Save the Sick”
1872
Not on view
236
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
237
George Jones, 1786–1869
The Passing of the Great Emancipation Act
ca. 1829
Not on view
238
Thomas Patch, 1725–1782
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
239
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
240
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
241
Arthur Devis, 1712–1787
An Unknown Man Seated at a Table
between 1744 and 1746
Not on view
242
Sir Charles Lock Eastlake, 1793–1865
The Erechtheum, Athens, with Figures in the Foreground
1821
Not on view
243
Gawen Hamilton, ca. 1697–1737
Group portrait, probably of the Raikes family
between 1730 and 1732
Not on view
244
Joseph Highmore, 1692–1780
An Unknown Man in Black
1735
Not on view
245
Francis Hayman, 1707/8–1776
David Garrick and Mrs. Pritchard in Benjamin Hoadly's "The Suspicious Husband"
1747
Not on view
246
Edward Haytley, active 1740–1761
A Sportsman
1752
Not on view
247
Thomas Luny, 1759–1837
The Port of London
1798
Not on view
248
unknown artist
Ely Cathedral
ca. 1800
Not on view
249
Joseph Nickolls, active 1713–ca. 1755
Charing Cross, with the Statue of King Charles I and Northumberland House
ca. 1750
Not on view
250
John Seguier, 1785–1856
Excavating the Regent's Canal, with a View of Marylebone Chapel
between 1812 and 1813
Not on view
251
William Henry Stothard Scott, 1783–1850
Brighton
1817
Not on view
252
Thomas Jones, 1742–1803
An Imaginary Italianate Landscape with Classical Figures and a Waterfall
ca. 1773
Not on view
253
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
254
Alexander Nasmyth, 1758–1840
Eleanor and Margaret Ross
between 1785 and 1790
Not on view
255
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
256
Robert Smith, 1787–1873
The Kila Kona Masjid, Purana Qila, Delhi
ca. 1823
Not on view
257
unknown artist
Pierrepont House, Nottingham, Nottinghamshire
ca. 1705
Not on view
258
Alexander Nasmyth, 1758–1840
A View of Edinburgh from the West
1822 to 1826
Not on view
259
George Vincent, 1796–1832
A Harbor Scene in the Isle of Wight, Looking Towards the Needles
1824
Not on view
260
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
261
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
262
Joseph Noel Paton, 1821–1901
Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
263
Robert Smirke, 1752–1845
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
264
Robert Smirke, 1752–1845
The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
265
Henry Fuseli, 1741–1825
Dido
1781
Not on view
266
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
267
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
268
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
269
Daniel Turner, active 1782–1805
York Water-Gate and the Adelphi
ca. 1800
Not on view
270
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
271
Joseph Wright of Derby, 1734–1797
William and Margaret from Percy's 'Reliques of Ancient English Poetry'
ca. 1785
Not on view
272
John Jackson, 1778–1831
Antonio Canova
1819 to 1820
Not on view
273
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
274
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
275
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
276
Johan Joseph Zoffany, 1733–1810
Patrick Heatly
between 1783 and 1787
Not on view
277
Philippe-Jacques de Loutherbourg, 1740–1812
A Philosopher in a Moonlit Churchyard
1790
Not on view
278
Robert Peake the Elder, ca. 1551–1619
Portrait of a Woman, Traditionally Identified as Mary Clopton (born Waldegrave), of Kentwell Hall, Suffolk
ca. 1600
Not on view
279
unknown artist
Robert Dudley, first Earl of Leicester (1532/3–1588)
ca. 1595
Not on view
280
Marcus Gheeraerts the Younger, 1561–1635
Portrait of a Woman, probably Mary, Lady Scudamore
1601
Not on view
281
Sir William Beechey, 1753–1839
Reverend Dr. Charles Symmons
1794
Not on view
282
John Wilson Carmichael, 1799–1868
A View of Murton Colliery near Seaham, County Durham
1843
Not on view
283
Cornelius Johnson, 1593–1661
William III, Prince of Orange, as a Child
1657
Not on view
284
Tilly Kettle, 1735–1786
Eleanora Frances Murray
in or before 1768
Not on view
285
Nathaniel Dance, 1735–1811
James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne
ca. 1760
Not on view
286
Robert Smirke, 1752–1845
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
287
Herbert Stoppelaer, active 1730–1775
Shylock and Tubal from "The Merchant of Venice"
1767 to 1769
Not on view
288
Thomas Stothard, 1755–1834
The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Not on view
289
Thomas Gainsborough, 1727–1788
Coastal Landscape with a Shepherd and His Flock
between 1783 and 1784
Not on view
290
William Keeble, 1714–1774
Self-Portrait
1748
Not on view
291
Attributed to Louis Laguerre, 1663–1721
Sketch for an oval ceiling
ca. 1705
Not on view
292
Louis Laguerre, 1663–1721
The Rape of Proserpine, design for the staircase of Devonshire House, London
ca. 1704
Not on view
293
Studio of Sir Peter Lely, 1618–1680
Prince Rupert of the Rhine
1666 to 1671
Not on view
294
Tilly Kettle, 1735–1786
Shuja-ud-Daula, Nawab of Oudh
1772
Not on view
295
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
296
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
297
Robert Smirke, 1752–1845
The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
298
Joseph Highmore, 1692–1780
A Family Conversation Piece
1730 to 1735
Not on view
299
John Opie, 1761–1807
Colonel Donald MacLeod of St. Kilda
ca. 1796
Not on view
300
Robert Smirke, 1752–1845
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis