Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
9
Charles Warren, 1767–1823
Comedy of Errors, Act II Sc. 2
1804
10
George Cruikshank, 1792–1878
The Green Room at Drury Lane Theatre
11
John Sartain, 1808–1897
Shakespeare brought before Sir Thomas Lucy for the Deer Shooting, from "The Eclectic"
undated
12
Charles Rolls, 1800–active 1830
The Play Scene - "Hamlet", Act III, Scene II
13
William Bernard Cooke, 1778–1855
Garrick's House at Hampton
1819
14
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (fifth age)
1801
15
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)
1801
16
John Thomas Smith, 1766–1833
Funeral of Lord Nelson. From the Bankside near Shakespeare's Theatre
1806
17
John Ogborne the Elder, 1755–1795
As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age)
1801
18
William S. Leney, 1769–1831
As You Like It: Act II, Scene VII: The Seven Ages Man (sixth age)
1801
19
John Ogborne the Elder, 1755–1795
As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
1801-1803
20
Peltro W. Tomkins, 1760–1840
As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
1801
21
Charles John Smith, 1803–1838
Monumental Bust of Shakespeare, at Stratford Upon Avon
1836
22
Thomas Anthony Dean, 1801–1860
Shakspeare
23
Benjamin Holl, 1808–1884
The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall
24
Benjamin Holl, 1808–1884
The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall
25
Michael Hanhart, active 1841–1852
Plan of the property originally possessed by the Shakspeare Family
26
Charles John Smith, 1803–1838
Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare
1837
27
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
28
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr
29
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
30
William Wise, Active 1823–1876
A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity
1811
31
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
32
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr
33
James Fahey, 1804–1885
Shakspeare's Desk
1824
34
William Shakspeare
1806
35
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
36
after Thomas Ryder, 1746–1810
Midsummer Night's Dream: Act IV, Scene I
1803
37
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
38
Peter Simon, 1750–1810
As You Like It: Act V Scene IV: Rosalind and Orlando
1791
39
Peter Simon, 1750–1810
Much Ado About Nothing. Act IV, Scene 1
1803
40
Peter Simon, 1750–1810
Much Ado About Nothing, Act III, Scene I, "An Orchard"
1803
41
Charles Gauthier Playter, died 1809
Comedy of Errors, Act V, Scene I: "A Street before the Priory"
1803
42
Thomas Ryder, 1746–1810
MacBeth, Act I, Scene III: "A Heath"
1803
43
Robert Thew, 1758–1802
Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House
1803
44
George Siegmund Facius, 1750–1804
All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc
1803
45
Samuel Middiman, ca. 1750–1831
A Winter's Tale, Act III, Scene III: A Desert Place Near the Sea
1803
46
James Fittler, 1758–1835
Winter's Tale, Act IV, Scene III: A Shepherds Cot
1803
47
Peltro W. Tomkins, 1760–1840
As You Like it, Act II, Scene VII: The Seven Ages: The First Age
1803
48
Peter Simon, 1750–1810
Winter's Tale, Act II, Scene III: A Palace: Leontes, Antigone, Lords, etc
1803
49
Print made by Robert Thew, 1758–1802
Near Milford Haven, 'Cymbeline,' Act III, Scene IV
1803
50
Thomas Ryder, 1746–1810
A Midsummer Night's Dream, Act IV, Scene I: Oberon, Queen of the Fairies, Puck, Bottom, etc
1803
51
unknown artist
Macbeth as Performed at National Theatre
ca. 1830
52
Samuel Middiman, ca. 1750–1831
As You Like It: Act II Scene 1. Jacques and the Wounded Stag
1791
53
Peter Simon, 1750–1810
Much Ado About Nothing: Act III, Scene I: Hero
1803
54
Robert Thew, 1758–1802
Cymbeline, Act III, Scene IV (engraving for Boydell's "Shakespeare Gallery")
1801
55
Peter Simon, 1750–1810
Merchant of Venice, Act II, Scene V: "Shylock's House"
1803
56
Peter Simon, 1750–1810
Much Ado About Nothing, Act IV, Scene I, "A Church"
1803
57
John Browne, 1741–1801
Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house
1803
58
William S. Leney, 1769–1831
As You Like It: Act I, Scene II: Before the Duke's Palace
1803
59
William C. Wilson, active 1798–1836
As You Like It: Act IV, Scene III: A Forest: Orlando and Oliver
1803
60
Peter Simon, 1750–1810
Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House
1803
61
Peter Simon, 1750–1810
As You Like It: Act V, Scene IV: A Forest: Duke Senior, Amiens etc
1803
62
John Ogborne the Elder, 1755–1795
As You Like it, Act II, Scene VII: The Seven Ages: The Fourth Age
1803
63
Francis Legat, 1755–1809
Troilus and Cressida, Act II, Scene II: Scene, Troy - Cassandrra Raving
1803
64
Peter Simon, 1750–1810
As You Like it, Act II, Scene VII: The Seven Ages: The Seventh Age
1803
65
Print made by Thomas Burke, 1749–1815
Cymbeline's Palace, in Briton-Imogene, 'Cymbeline,' Act I, Scene II
1803
66
Luigi Schiavonetti, 1765–1810
Troilus and Cressida, Act V, Scene II: Calcha's Tent
1803
67
Peter Simon, 1750–1810
Measure for Measure, Act V, Scene I: "Duke in a Friar's Habit, Varrius, Lords Angelo, Escalus, Lucio and Citizens"
1803
68
William S. Leney, 1769–1831
As You Like it, Act II, Scene VII: The Seven Ages: The Sixth Age
1803
69
Peter Simon, 1750–1810
As You Like it, Act II, Scene VII: The Seven Ages: The Fifth Age
1803
70
John Ogborne the Elder, 1755–1795
As You Like it, Act II, Scene VII: The Seven Ages: The Second Age