A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
3
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
4
James Gillray, 1756–1815
Scene le Vrog House
1782
5
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
6
James Gillray, 1756–1815
National Discourse
1780
7
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
8
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
9
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
10
James Gillray, 1756–1815
Les Trois Magots
1791
11
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
12
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
13
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
14
James Gillray, 1756–1815
Taking Physick
1800
15
James Gillray, 1756–1815
Wha Wants Me?
1792
16
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
17
James Gillray, 1756–1815
A New Administration, or the State Quacks Administering
1783
18
James Gillray, 1756–1815
Light Expelling Darkness
1795
19
James Gillray, 1756–1815
New Morality
1798
20
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
21
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
22
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
23
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
24
James Gillray, 1756–1815
Taking Physic
1800
25
James Gillray, 1756–1815
A Standing dish at Boodles
1800
26
James Gillray, 1756–1815
A Masonic Anecdote
1786
27
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
28
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
29
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
30
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
31
James Gillray, 1756–1815
Egyptian Sketches
1799
32
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
33
James Gillray, 1756–1815
Doublûres of Characters
1798
34
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
35
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
36
James Gillray, 1756–1815
The Generae of Patriotism
1796
37
James Gillray, 1756–1815
Visiting the Sick
1806
38
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
39
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
40
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
41
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
42
James Gillray, 1756–1815
[ untitled ]
1800
43
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
44
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
45
James Gillray, 1756–1815
Bonus / Mellior / Optimus
1783
46
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
47
James Gillray, 1756–1815
Visiting the Sick
1806
48
James Gillray, 1756–1815
Hounds in Full-Cry
1800
49
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
50
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
51
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
52
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
53
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
54
James Gillray, 1756–1815
Patience on a Monument
1791
55
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
56
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
57
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
58
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
59
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
60
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
61
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
62
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
63
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
64
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
65
James Gillray, 1756–1815
Independence
1799
66
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
67
James Gillray, 1756–1815
A Man of Importance
1799
68
James Gillray, 1756–1815
A Portrait ------------
1799
69
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
70
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
71
James Gillray, 1756–1815
A Hackney Meeting
1796
72
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
73
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
74
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
75
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
76
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
77
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
78
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
79
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
80
James Gillray, 1756–1815
A Uniform Whig ---
1791
81
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
82
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
83
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
84
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
85
James Gillray, 1756–1815
The Royal Academy
1786
86
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
87
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
88
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
89
James Gillray, 1756–1815
Gillray Caricatures
90
James Gillray, 1756–1815
Sawney in the Bog-House
1779
91
James Gillray, 1756–1815
The Injured Countess
1786-1788
92
James Gillray, 1756–1815
Junction of Parties
1783
93
James Gillray, 1756–1815
Wouski
1788
94
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
95
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
96
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
97
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
98
James Gillray, 1756–1815
Patience on a Monument
1791
99
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
100
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam