Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
207
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
208
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
209
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
210
James Gillray, 1756–1815
Brisk Cathartic
1804
211
James Gillray, 1756–1815
Charming Well Again
1804
212
James Gillray, 1756–1815
Taking Physic
1800
213
James Gillray, 1756–1815
Breathing a Vein
1804
214
James Gillray, 1756–1815
A Standing dish at Boodles
1800
215
James Gillray, 1756–1815
Visiting the Sick
1806
216
James Gillray, 1756–1815
The Injured Countess
1786-1788
217
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
218
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
219
James Gillray, 1756–1815
The Fall of Phaeton
1788
220
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
221
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
222
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
223
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
224
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
225
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
226
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
227
James Gillray, 1756–1815
Patience on a Monument
1791
228
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
229
James Gillray, 1756–1815
Wha Wants Me?
1792
230
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
231
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
232
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
233
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
234
James Gillray, 1756–1815
Brisk Cathartic
1804
235
James Gillray, 1756–1815
National Conveniences
1796
236
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
237
James Gillray, 1756–1815
Fashionable Jockeyship
1796
238
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
239
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
240
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
241
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
242
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
243
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
244
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
245
James Gillray, 1756–1815
Evacuation of Malta
1803
246
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
247
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
248
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
249
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
250
James Gillray, 1756–1815
New Morality
1798
251
James Gillray, 1756–1815
[ untitled ]
1800
252
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
253
James Gillray, 1756–1815
Fine Bracing Weather
1808
254
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
255
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
256
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
257
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
258
James Gillray, 1756–1815
Brisk Cathartic
1804
259
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
260
James Gillray, 1756–1815
A Masonic Anecdote
1786
261
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
262
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
263
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
264
James Gillray, 1756–1815
Gillray Caricatures
265
James Gillray, 1756–1815
Junction of Parties
1783
266
James Gillray, 1756–1815
Sawney in the Bog-House
1779
267
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
268
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
269
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
270
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
271
James Gillray, 1756–1815
Duke William's Ghost
1799
272
James Gillray, 1756–1815
Palemon and Lavinia
1805
273
James Gillray, 1756–1815
Wouski
1788
274
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
275
James Gillray, 1756–1815
The Castle in the Moon
1782
276
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
277
James Gillray, 1756–1815
The Grand - Signior retiring
1796
278
James Gillray, 1756–1815
Playing in Parts
1801
279
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
280
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
281
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
282
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
283
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
284
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
285
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
286
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
287
James Gillray, 1756–1815
A Portrait ------------
1799
288
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
289
James Gillray, 1756–1815
A Hackney Meeting
1796
290
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
291
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
292
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
293
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
294
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
295
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
296
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
297
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
298
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
299
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars