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Death of the Fox
Creator:
John Scott, 1774–1828
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 21 1/4 x 27in. (54 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four [Foxhunting]: 3. Full Cry
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four [Foxhunting]: 2. Breaking Cover
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Edwin Thomas Dolby, active 1849–1865
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey and St. Margaret's Church
Creator:
William Wallis, 1794– active 1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Plan of Westminster Abbey and Environs for the Coronation of George IV
Creator:
James Wyld, 1790–1836
Date:
1821
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Inside of Westminster Abbey
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
1753
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Prospectus Interior Abbatiae Westminster
Creator:
unknown artist
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View of the Orchestra Organ &c. Erected in Westminster Abbey
Creator:
John Walker, active 1792–1803
Date:
1784
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Part of the Sachristary Leading to the Chapel of Henry VII
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey from the West Entrance
Creator:
unknown artist
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Henry VII Chapel
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Transcept of Westminster Abbey
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Poets Corner, Westminster Abbey
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Jerusalem Chamber and Entrance to the Cloisters
Creator:
John Greig, active 1803–1853
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Entrance to the Chapel of Erasmus and the Abbots Tomb Within
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Porch of Henry seventh Chapel
Creator:
John Bluck, active 1791–1831
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View of the Gallery Prepared for the Reception of their Majesties...at the Commemoration of Handel
Creator:
John Spilsbury, 1730–1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Monument of Richard II and his Queen Anne 1395-1399
Creator:
Print made by James Basire the younger, 1769–1822
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Tomb of Henry VII, Westminster Abbey
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1665
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Monument of King Henry III, in Westminster Abbey
Creator:
Jacob van Schley, 1715–1779
Date:
1735
Materials & Techniques:
Engraving on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Tomb - Queen Eleanor
Creator:
John Bluck, active 1791–1831
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
King Henry the third's Monument and Queen Eleanor
Creator:
Robert Sands, 1792–1855
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View in the North Aisle: Showing Henry the third Monument
Creator:
John Le Keux, 1783–1846
Date:
1817
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Memorials in the North Entrance
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North West View of Westminster Abbey
Creator:
unknown artist
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
An East Prospect of Westminster Abby
Creator:
John June, active 1740–1770
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The East Prospect of the Abby of St. Peter and of the Parish Church of St. Margaret, Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
An East Prospect of Westminster Abby
Creator:
John June, active 1740–1770
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A South View of Westminster Abbey and St. Margaret's Church
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View of Westminster Abbey and St. Margaret's Church
Creator:
Robert Havell, 1769–1832
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North West View of Westminster Abbey
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North East View of Westminster Abbey (on two sheets)
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

235. Deans Yard

Deans Yard
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North East View of Westminster Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Edmund Walker, active 1836–died 1882
Date:
1852
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North Front of Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North East View of Westminster Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A View of Westminster Hall & the Abbey in St. James Park
Creator:
Pierce Tempest, 1653–1717
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
West Front of Westminster Abbey
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
King Henry the VII Chapel
Creator:
unknown artist
Date:
1819
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A View of Westminster taken from Tothill Fields
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A View of Westminster, taken from Millbank
Creator:
John Hall, 1739–1797
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View from Deans Yard
Creator:
J. C. Varrall, active 1815–1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The S.W. View of Little Dean's Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Edmund Walker, active 1836–died 1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Coronation of King William IV and Queen Adelaide
Creator:
William Woolnoth, active 1806–1830
Date:
1831
Materials & Techniques:
Engraving, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Coronation Procession of H. M. George IV, 19 July 1821
Creator:
William Heath, 1795–1840
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey, Hospital &c.
Creator:
Thomas Shotter Boys, 1803–1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Abbey Church of Westminster
Creator:
John Coney, 1786–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Procession from Westminster Hall to the Abbey
Creator:
W. Read, active 1818
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Ecclesiae Parochialis Sra Fidis Prospectus
Creator:
Wenceslaus Hollar, 1607–1677
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Interior of Henry the Seventh's Chapel
Creator:
Frederick Mackenzie, 1788–1854
Date:
1830
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westmonost ecclefiae conv: Facies Aquitonalis
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1654
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
1775
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Thomas Medland, 1755–1823
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The South View of the Abbey and Dormitory in Westminster
Creator:
unknown artist
Date:
1758
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Samuel Rawle, 1771–1860
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey, the North Transept
Creator:
unknown artist
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Perspective View of Westminster Abbey and St. Margaret's Church
Creator:
John Maurer, active 1713–1761
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
John Phillipps Emslie, 1839–1913
Date:
ca. 1880
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
John Phillipps Emslie, 1839–1913
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
after unknown artist
Date:
1811
Materials & Techniques:
Aquatint, tinted with watercolor
Dimensions:
Sheet: 10 3/4 x 14 3/4in. (27.3 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Etching on wove paper
Dimensions:
Plate: 7 x 5 7/8in. (17.8 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

269. Untitled

No cover image available
Creator:
unknown artist
Materials & Techniques:
Etching (etched fasimile of woodcut)
Dimensions:
Plate: 6 3/4 x 12in. (17.1 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
German (?), Baroque frame
Creator:
unknown framemaker
Date:
2nd half of 17th century
Materials & Techniques:
Carved wood, parcel gilt and painted black, original oil, water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Compo, later patinated oil and water gilding over original gilding
Dimensions:
Frame: 44 × 36 × 3 inches (111.8 × 91.4 × 7.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Louis XIII frame
Creator:
unknown framemaker
Date:
17th century
Materials & Techniques:
Carved wood, tortoiseshell; later oil gilding over original gilding and gesso re-cutting
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding; gesso re-cutting; sanded ground at corners
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, extensively re-gilded over original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque moulding frame
Creator:
unknown framemaker
Date:
late 17th to early 18th century
Materials & Techniques:
Fruitwood, Parcel gilt and ebonised; restored
Dimensions:
Frame: 24 1/4 × 37 1/2 inches (61.6 × 95.3 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish (?), Provincial Louis XIV frame
Creator:
unknown framemaker
Date:
18th century
Materials & Techniques:
Carved wood, original oil gilding and sanded frieze; later gilding on added back
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Lely' frame
Creator:
unknown framemaker
Date:
late 17th to early 18th century
Materials & Techniques:
Carved wood, original lacquered silverleaf
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Auricular frame
Creator:
unknown framemaker
Date:
2nd half of 17th century
Materials & Techniques:
Carved wood, water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
Huguenot craftsman
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later gilding and bronze paint over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood and compo, gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British Provincial 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?) 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved wood, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, original oil and water gilding, partially regilded
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partial later regilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, original gilding and water gilding
Dimensions:
Frame: 55 1/2 × 45 × 2 1/4 inches (141 × 114.3 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Wright of Derby' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding and over original oil and water gilding
Dimensions:
Frame: 31 1/4 × 36 3/4 inches (79.4 × 93.3 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded rail
Dimensions:
Frame: 51 1/4 × 79 1/8 × 2 3/8 inches (130.2 × 201 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later oil and gilding over original gilding, sanded frieze and ground at corners
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Wright of Derby' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Empire frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, original oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art